1 00:03:10,600 --> 00:03:12,000 That's really marvelous. 2 00:03:12,000 --> 00:03:14,000 No show ever ran so long before. 3 00:03:14,000 --> 00:03:15,800 Well, no show ever had Gwen Marlowe 4 00:03:15,800 --> 00:03:17,400 and Ernest Lane in it before. 5 00:03:17,600 --> 00:03:19,200 They're so divine in that first act. 6 00:03:19,200 --> 00:03:21,400 Wait till you see them in the second. 7 00:03:21,600 --> 00:03:23,000 - But I have, 11 times. - Really? 8 00:03:23,200 --> 00:03:25,800 It's the most wonderful play in the whole world. 9 00:03:26,000 --> 00:03:28,000 Swell. Remember the first time we saw it? 10 00:03:28,000 --> 00:03:30,800 In the Christmas holidays, four years ago. 11 00:03:30,800 --> 00:03:32,400 Yeah. When we were young. 12 00:03:32,400 --> 00:03:34,800 Buy all the song hits of "Sweethearts." 13 00:03:35,000 --> 00:03:36,800 Own the songs that you've been singing 14 00:03:36,800 --> 00:03:38,200 and dancing to for six years. 15 00:03:38,200 --> 00:03:40,600 "Wooden Shoes," "Every Lover Must Meet His Fate" 16 00:03:40,600 --> 00:03:41,800 "Sweethearts," "Mother Goose" 17 00:03:42,000 --> 00:03:44,000 "Cricket On The Hearth," all of them. 18 00:03:44,000 --> 00:03:45,200 Did you see anything like this? 19 00:03:45,400 --> 00:03:47,400 I'll bet we can run another six years. 20 00:03:47,600 --> 00:03:50,000 "Sweethearts" will run forever. You just wait and see. 21 00:03:50,000 --> 00:03:52,000 Thanks. I'll draw up a chair. 22 00:03:52,000 --> 00:03:53,600 Appleby, what was the take tonight? 23 00:03:53,600 --> 00:03:55,000 Never saw anything like it. 24 00:03:55,000 --> 00:03:58,000 Hasn't varied a dime in 2496 performances. 25 00:03:58,200 --> 00:03:59,600 Why, no producer in the world 26 00:03:59,600 --> 00:04:01,200 ever had a goldmine like "Sweethearts." 27 00:04:01,200 --> 00:04:03,200 - Well, I have my troubles too. - Yeah, I know. 28 00:04:03,400 --> 00:04:06,000 Stooping over to lift that big heavy check every week. 29 00:04:06,000 --> 00:04:08,400 All you have to do is hang onto Gwen Marlowe 30 00:04:08,400 --> 00:04:11,600 and Ernest Lane and we can coast the rest of our lives. 31 00:04:11,600 --> 00:04:13,800 All I have to do is hang onto them. 32 00:04:14,000 --> 00:04:16,600 It's like hanging onto two lighted firecrackers. 33 00:04:16,600 --> 00:04:18,800 Well, I know how to handle them. 34 00:04:18,800 --> 00:04:20,600 I've never even had a contract with them. 35 00:04:20,600 --> 00:04:23,600 My little kiddies wouldn't leave me for anything in the world. 36 00:04:23,800 --> 00:04:26,200 There he goes. There he is again. 37 00:04:26,400 --> 00:04:29,200 "Pretty As A Picture." Get all the hits here.' 38 00:04:29,200 --> 00:04:31,200 Own the songs that you've been singing and.. 39 00:04:31,200 --> 00:04:33,600 It's that Norman Trumpett of the Benjamin Silver Studios. 40 00:04:33,600 --> 00:04:35,000 Oh, he's out gunning again. 41 00:04:35,000 --> 00:04:37,200 He's out to shoot me right through the heart. 42 00:04:37,200 --> 00:04:39,400 What do you suppose happened to the stars 43 00:04:39,400 --> 00:04:40,400 that were on Broadway? 44 00:04:40,400 --> 00:04:42,200 Trumpett has taken them all to Hollywood. 45 00:04:42,200 --> 00:04:44,600 And now he's trying to get Marlowe and Lane. 46 00:04:44,800 --> 00:04:46,400 Now, keep your $24 shirt on, Felix. 47 00:04:46,400 --> 00:04:49,000 Last year when Trumpett came they wouldn't even see him. 48 00:04:49,000 --> 00:04:50,600 Well, last year was a year ago. 49 00:04:50,600 --> 00:04:53,600 He could talk to them and they might go just like that. 50 00:04:53,800 --> 00:04:56,800 - Then where would we be? - Who let this guy in here? 51 00:04:56,800 --> 00:04:59,600 Oh, I have enemies everywhere. Come on, Dink. 52 00:05:03,200 --> 00:05:05,400 - Did you let that man in? - Why, yes, sir. 53 00:05:05,400 --> 00:05:07,200 How long have you been working here? 54 00:05:07,200 --> 00:05:10,000 - Nearly a year, Mr. Lehman. - You're new. That explains it. 55 00:05:10,000 --> 00:05:11,200 But you ought to know better 56 00:05:11,200 --> 00:05:13,400 than to let a pirate like that in here. 57 00:05:13,600 --> 00:05:17,000 He said he's an old friend. That's why I gave him your box. 58 00:05:17,000 --> 00:05:18,600 You gave him my private box? 59 00:05:18,600 --> 00:05:20,400 He said you wanted him to get close 60 00:05:20,400 --> 00:05:23,800 where he could get a good look at Miss Marlowe and Mr. Lane. 61 00:05:24,000 --> 00:05:26,400 You know the way I figured it out, Mr. Lehman. 62 00:05:26,400 --> 00:05:28,800 I decided he was some big shot from Hollywood. 63 00:05:28,800 --> 00:05:31,600 Dink, go over there and act like a real press agent. 64 00:05:31,600 --> 00:05:34,400 Talk to Trumpett. Reason with him. Get him to go home. 65 00:05:34,600 --> 00:05:36,400 Tell him Marlowe and Lane don't speak English. 66 00:05:36,400 --> 00:05:39,800 Say anything but get him away from here before I get nervous. 67 00:05:39,800 --> 00:05:42,200 Go on, hurry. And if you studied.. 68 00:05:42,200 --> 00:05:43,800 Oh, never mind. 69 00:05:44,000 --> 00:05:46,000 Hello there, Mr. Trumpett. 70 00:05:46,200 --> 00:05:48,400 How do you think our little entertainment's holding up? 71 00:05:48,600 --> 00:05:50,400 Oh, very nicely, old boy. Very nicely. 72 00:05:50,600 --> 00:05:52,400 Of course it definitely lacks the esprit 73 00:05:52,600 --> 00:05:54,800 of a Benjamin Silver production, shall we say 74 00:05:55,000 --> 00:05:56,600 but it's very charming. 75 00:05:56,600 --> 00:05:57,800 Oh, goody. 76 00:05:57,800 --> 00:06:00,400 - Sure your seat's alright? - Not half bad. 77 00:06:00,400 --> 00:06:02,200 One can't complain when one's planed in 78 00:06:02,400 --> 00:06:04,400 from coast at the last moment, can one? 79 00:06:04,400 --> 00:06:08,000 Why, no. As a matter of fact, I think it's awfully decent of one 80 00:06:08,200 --> 00:06:09,200 to take potluck with this. 81 00:06:09,200 --> 00:06:10,600 Mr. Lehman's a little worried 82 00:06:10,800 --> 00:06:12,400 that you mightn't be quite comfortable. 83 00:06:13,800 --> 00:06:16,400 Yes, good old Felix. 84 00:06:16,400 --> 00:06:18,200 He does seem a little upset, doesn't he? 85 00:06:18,200 --> 00:06:21,600 Good old Felix was no fool when he signed Marlowe and Lane 86 00:06:21,600 --> 00:06:23,200 up on that long-term contract. 87 00:06:23,400 --> 00:06:25,400 That must've occurred in the last ten minutes. 88 00:06:25,400 --> 00:06:27,600 I didn't know he had a contract with them. 89 00:06:27,600 --> 00:06:29,600 It's rather a charming tradition, isn't it? 90 00:06:29,800 --> 00:06:31,200 Yeah, but dandy. 91 00:06:31,200 --> 00:06:33,200 I'm afraid this will have to beau revoir. 92 00:06:33,200 --> 00:06:34,800 Don't want to miss a moment. 93 00:06:35,000 --> 00:06:36,600 And afterwards I have to telephone Hollywood 94 00:06:36,600 --> 00:06:39,200 and have a goodnight chat with Mr. Silver. 95 00:06:39,400 --> 00:06:41,600 Ha ha ha. Goodnight. 96 00:06:41,800 --> 00:06:44,000 Ho ho ho. Goodnight. 97 00:06:46,800 --> 00:06:49,400 Here, take this and take my things to the Waldorf. 98 00:06:49,400 --> 00:06:53,400 Take them to the special suite reserved for me high on the top. 99 00:07:02,600 --> 00:07:04,800 - Your ticket, please. - I have no ticket. 100 00:07:04,800 --> 00:07:06,600 You can't go in without a ticket. 101 00:07:06,800 --> 00:07:08,000 I'm Leo Kronk, the playwright. 102 00:07:08,000 --> 00:07:09,600 I'm the author of the book of "Sweethearts--" 103 00:07:09,800 --> 00:07:12,800 I know. I suppose you're an old friend of Mr. Lehman's too. 104 00:07:13,000 --> 00:07:15,400 I did not come all the way from the Riviera 105 00:07:15,400 --> 00:07:18,200 to listen to your suppositions. I'm going in the theater. 106 00:07:18,200 --> 00:07:20,200 - You're not going anywhere. - I am the playwright. 107 00:07:20,200 --> 00:07:21,800 There's a show going on in.. 108 00:07:21,800 --> 00:07:23,000 Oh! For the love of.. 109 00:07:23,200 --> 00:07:25,200 Alright, alright. It's okay. 110 00:07:25,400 --> 00:07:27,800 So you've emigrated to the new world again. 111 00:07:27,800 --> 00:07:31,600 This is a surprise and a very unpleasant one too. You're late. 112 00:07:31,800 --> 00:07:34,000 - Oscar got here at 8:30. - Oscar is back? 113 00:07:34,200 --> 00:07:36,200 Our prodigal composer has returned from Budapest 114 00:07:36,400 --> 00:07:38,600 just in time to get in on the publicity. 115 00:07:38,600 --> 00:07:41,400 Had a hard time persuading him to lead the orchestra. 116 00:07:41,400 --> 00:07:42,800 We had to drop a hat. 117 00:07:43,000 --> 00:07:45,000 He'll do anything to get in the limelight. 118 00:07:45,000 --> 00:07:47,000 I wish to be as inconspicuous as possible. 119 00:07:47,000 --> 00:07:49,000 Come in, baby, and get your wish. 120 00:07:53,200 --> 00:07:56,600 - And where do I sit? - You don't sit. You stand. 121 00:07:57,600 --> 00:07:58,800 Here. 122 00:07:59,000 --> 00:08:00,400 Sorry, your friend can't stand here. 123 00:08:00,400 --> 00:08:02,200 No more standees. It's against the law. 124 00:08:02,200 --> 00:08:04,400 Why don't you tell this peasant who I am? 125 00:08:04,400 --> 00:08:08,000 And have him throw me out too? Come on, I'll fix you up. 126 00:08:19,400 --> 00:08:22,600 Save it. Save it. It's for him. 127 00:08:52,800 --> 00:08:55,600 The wedding tune will soon began to play 128 00:08:55,600 --> 00:08:57,200 Soon the tune will play 129 00:08:57,200 --> 00:08:59,600 For the bride beside the Zuider Zee 130 00:08:59,800 --> 00:09:01,200 By the Zuider Zee 131 00:09:01,200 --> 00:09:03,400 Two by two with tulips strew the way 132 00:09:03,400 --> 00:09:04,600 Two by two by two 133 00:09:04,800 --> 00:09:08,600 To guide the bride beside the Zuider Zee 134 00:09:11,000 --> 00:09:12,600 Hello! 135 00:10:22,200 --> 00:10:24,400 Fishermen come lend an ear 136 00:10:24,400 --> 00:10:30,000 There's a secret we should hear 137 00:10:34,400 --> 00:10:36,800 Nanette and I have got a plan 138 00:10:36,800 --> 00:10:39,200 Here's hoping nothing wrecks it 139 00:10:39,200 --> 00:10:41,600 While you make all the noise you can 140 00:10:41,600 --> 00:10:43,800 Nanette and I will exit 141 00:10:43,800 --> 00:10:46,400 So sing and dance with all your might 142 00:10:46,400 --> 00:10:48,600 Nanette and I entreat it 143 00:10:48,600 --> 00:10:50,600 And while the din is at its height 144 00:10:50,600 --> 00:10:53,400 Ah, Nanette and I will beat it 145 00:10:53,400 --> 00:10:56,200 We'll shout and sing till the heavens ring 146 00:10:56,200 --> 00:10:58,400 No crowd could be much louder 147 00:10:58,400 --> 00:11:04,200 We'll save you yet, Nanette 148 00:11:18,600 --> 00:11:22,600 My heart was sorrowing 149 00:11:22,600 --> 00:11:27,800 For my prince charming 150 00:11:28,000 --> 00:11:29,800 Yet it found 151 00:11:29,800 --> 00:11:35,600 No freedom from a fate alarming 152 00:11:35,800 --> 00:11:41,000 Then I recalled a tale of old 153 00:11:41,000 --> 00:11:44,800 My mother told 154 00:11:44,800 --> 00:11:51,200 To me 155 00:11:51,200 --> 00:11:53,200 There once was a maid 156 00:11:53,200 --> 00:11:55,200 And what did they call her, pray? 157 00:11:55,200 --> 00:11:57,200 Her name was Suzette 158 00:11:57,200 --> 00:11:58,800 Did she live by the Zuider 159 00:11:59,000 --> 00:12:02,600 She lived by the Zuider Zee long long ago 160 00:12:02,800 --> 00:12:05,200 And she loved a Dutch boy 161 00:12:05,200 --> 00:12:10,200 Oh, she loved him so 162 00:12:10,200 --> 00:12:12,200 When her father did vow 163 00:12:12,200 --> 00:12:14,000 That another she'd wed 164 00:12:14,200 --> 00:12:18,000 Suzette also vowed in her little Dutch head 165 00:12:18,200 --> 00:12:20,200 To run to her sweetheart 166 00:12:20,200 --> 00:12:22,600 And use as a ruse 167 00:12:22,600 --> 00:12:24,600 The loud clitter clatter 168 00:12:24,800 --> 00:12:28,800 Of her friends wooden shoes 169 00:12:28,800 --> 00:12:32,600 that's how 'twas done 170 00:12:32,600 --> 00:12:34,600 While friends clitter clattered 171 00:12:34,800 --> 00:12:36,400 These two were made one 172 00:12:36,600 --> 00:12:38,400 Now a baby pitter patter clip clop 173 00:12:38,600 --> 00:12:41,600 With little Dutch boo-hoos 174 00:12:41,600 --> 00:12:46,400 Makes them both thank Heaven for good wooden shoes 175 00:12:58,800 --> 00:13:01,600 The act is done 176 00:13:31,800 --> 00:13:33,400 Here, here boy. Wait a minute. 177 00:13:33,400 --> 00:13:34,800 It's just...give me that note. 178 00:13:35,000 --> 00:13:37,400 Mr. Lehman, it's for Miss Marlowe and Mr. Lane. 179 00:13:37,400 --> 00:13:39,000 That's just the reason I want it. 180 00:13:39,000 --> 00:13:42,400 I mean, it'd be better if I take it to them myself. 181 00:13:42,400 --> 00:13:45,200 It's much nicer, here, don't, stop talking and don't.. 182 00:13:45,200 --> 00:13:49,200 Move on about your business. Here, here, I'll-I'll.. 183 00:14:01,200 --> 00:14:04,400 Oh, I wish they'd.. 184 00:14:04,600 --> 00:14:07,400 ...push Hollywood another 50 miles West. 185 00:14:09,400 --> 00:14:10,800 Gloria 186 00:14:10,800 --> 00:14:17,800 Fillo sanctus 187 00:14:19,200 --> 00:14:23,800 Gloria spiritui 188 00:14:23,800 --> 00:14:28,000 Sancto 189 00:14:30,600 --> 00:14:34,400 Every lover 190 00:14:34,400 --> 00:14:38,400 Must meet his fate 191 00:14:38,400 --> 00:14:44,400 So for that hour 192 00:14:44,400 --> 00:14:48,000 My heart 193 00:14:48,000 --> 00:14:51,000 Will wait 194 00:14:51,000 --> 00:14:53,200 I'll find her 195 00:14:53,200 --> 00:14:58,600 Someday 196 00:15:00,200 --> 00:15:04,200 Someday I will 197 00:15:04,200 --> 00:15:11,000 Find her again 198 00:15:11,000 --> 00:15:16,400 Someday though the world may divide us 199 00:15:16,400 --> 00:15:21,800 Somehow we will conquer it all 200 00:15:21,800 --> 00:15:27,200 Someway surely heaven will guide us 201 00:15:27,200 --> 00:15:29,600 Someday 202 00:15:29,600 --> 00:15:34,400 We will answer love's call 203 00:15:34,600 --> 00:15:39,800 Always I can see you before me 204 00:15:40,000 --> 00:15:45,600 Your face and its heavenly charms 205 00:15:45,600 --> 00:15:47,800 Shining 206 00:15:47,800 --> 00:15:52,400 In a radiant glory 207 00:15:52,400 --> 00:15:57,200 Leads me to your two 208 00:15:57,400 --> 00:16:04,200 Eager arms 209 00:16:04,400 --> 00:16:08,200 For every lover 210 00:16:08,400 --> 00:16:11,800 Must meet his fate 211 00:16:12,000 --> 00:16:17,000 And for this hour 212 00:16:17,000 --> 00:16:21,000 My heart 213 00:16:21,200 --> 00:16:23,800 Did wait 214 00:16:23,800 --> 00:16:27,600 There is no other 215 00:16:27,800 --> 00:16:32,600 No love so great 216 00:16:32,600 --> 00:16:36,400 No love so great 217 00:16:36,400 --> 00:16:39,000 Beloved 218 00:16:39,000 --> 00:16:45,800 One 219 00:16:48,000 --> 00:16:52,200 There is no other Lover 220 00:16:52,400 --> 00:16:56,200 No love so great Lover 221 00:16:56,400 --> 00:17:02,800 Beloved we are lovers blessed 222 00:17:02,800 --> 00:17:09,400 By fate 223 00:17:09,600 --> 00:17:13,600 We are lovers blessed 224 00:17:13,800 --> 00:17:19,400 By fate 225 00:17:31,600 --> 00:17:34,200 Oh, Miss Marlowe. It's from Sally's husband. 226 00:17:34,200 --> 00:17:36,400 - What is it? Boy or girl? - It's a girl. 227 00:17:36,600 --> 00:17:39,800 I told you so. That's why I ordered everything in pink. 228 00:17:39,800 --> 00:17:41,400 - How's Sally? - He said she's swell. 229 00:17:41,400 --> 00:17:45,200 - She wants to come back. - We can't. We got 24 dancers. 230 00:17:45,200 --> 00:17:46,800 Then, we can have 25. 231 00:17:46,800 --> 00:17:49,400 Don't be a stage manager all your life, Mort. 232 00:17:49,400 --> 00:17:51,000 Of course, we'll make room for Sally. 233 00:17:51,000 --> 00:17:54,200 And her baby can have my part any time she wants it. 234 00:17:54,200 --> 00:17:55,600 Thanks for those cigars, Ernest. 235 00:17:55,600 --> 00:17:57,400 - Glad you liked 'em, Andy. - Nice going. 236 00:17:57,400 --> 00:18:01,400 Six years tonight and we haven't hit you yet. 237 00:18:01,400 --> 00:18:04,600 Hey, Mr. Lane, have you got a minute before your next change? 238 00:18:04,600 --> 00:18:07,400 - Yeah, sure. - Lookit here. Lookit here. 239 00:18:07,400 --> 00:18:11,000 Six of 'em. Is that a family or ain't that a family? 240 00:18:11,000 --> 00:18:13,000 - Oh. Well. - Six of 'em. 241 00:18:13,000 --> 00:18:15,000 And born just before the curtain went up. 242 00:18:15,000 --> 00:18:17,400 Six, on the sixth anniversary, huh? 243 00:18:17,600 --> 00:18:18,800 Oh, what a trouper. 244 00:18:18,800 --> 00:18:20,400 Wait'll I tell Dink about this. 245 00:18:20,400 --> 00:18:22,600 He'll get this story on every paper in town. 246 00:18:22,800 --> 00:18:26,200 Oh, don't tell Dink. Let her have a private life. 247 00:18:26,200 --> 00:18:28,200 Oh, congratulations, old lady. 248 00:18:28,400 --> 00:18:30,800 Next year, I hope you beat your own record. 249 00:18:30,800 --> 00:18:33,400 Miss Gwen, if you don't come out of that shower 250 00:18:33,400 --> 00:18:35,800 you'll never be in time for your next number. 251 00:18:35,800 --> 00:18:37,600 Tell them to bring it here. 252 00:18:37,600 --> 00:18:39,200 Nice way for an actress to talk. 253 00:18:39,200 --> 00:18:42,000 You come out the shower before I come and fetch you. 254 00:18:42,200 --> 00:18:44,600 I'm coming, I'm coming. Coming, coming, coming. 255 00:18:44,600 --> 00:18:48,000 Oh, I love that shower. 256 00:18:48,000 --> 00:18:50,800 I swear it's the only place I can get any rest. 257 00:18:50,800 --> 00:18:53,200 Well, you've no business with rest, you're an actress. 258 00:18:53,400 --> 00:18:55,200 Your grandmother never behaved that way. 259 00:18:55,200 --> 00:18:57,200 Lotta Marlowe had respect for the theater. 260 00:18:57,400 --> 00:19:00,200 Grandmother never had to sing the same songs and same dances 261 00:19:00,200 --> 00:19:03,600 listen to the same music, and say same lines for six years. 262 00:19:03,600 --> 00:19:05,200 I do have respect for the theater. 263 00:19:05,400 --> 00:19:07,800 I make every performance better than the last one. 264 00:19:07,800 --> 00:19:08,800 Ow, you're pulling my hair. 265 00:19:08,800 --> 00:19:10,400 - No, I'm not. - You are too. 266 00:19:10,600 --> 00:19:12,600 When you picked the apple blossom 267 00:19:12,600 --> 00:19:14,200 you turned your wrist the wrong way. 268 00:19:14,400 --> 00:19:16,400 During the entire run of "Sweethearts" I never 269 00:19:16,400 --> 00:19:19,000 picked up the apple blossom better than I did tonight. 270 00:19:19,200 --> 00:19:22,800 I particularly noticed the wrists. 271 00:19:22,800 --> 00:19:26,000 - Did I do it wrong? - Oh, nobody would notice it. 272 00:19:26,000 --> 00:19:28,200 Oh, yes, grandmother notices. 273 00:19:28,400 --> 00:19:32,000 She knows whether or not I pick up the apple blossoms right. 274 00:19:32,000 --> 00:19:34,000 Give me a piece of candy, please. 275 00:19:36,400 --> 00:19:38,200 No, you don't. 276 00:19:38,200 --> 00:19:40,600 You told me Thursday you were half a pound overweight. 277 00:19:40,600 --> 00:19:42,600 I didn't tell you anything of the kind. 278 00:19:42,800 --> 00:19:46,200 Besides, it was Wednesday. 279 00:19:46,200 --> 00:19:49,600 Oh, alright have it your own way. 280 00:19:49,800 --> 00:19:51,000 - Where's Brunhilde? - In her basket. 281 00:19:51,200 --> 00:19:53,400 Well, give it to her. Give her the whole box. 282 00:19:53,400 --> 00:19:56,800 Her figure's her own business. Mine belongs to my dear public. 283 00:19:56,800 --> 00:19:59,000 Oh, Kay Jordon, if I ever engage another secretary 284 00:19:59,200 --> 00:20:02,000 she'll be very near-sighted and extremely kind-hearted. 285 00:20:02,200 --> 00:20:05,000 Oh, take them away. I don't want to look at another flower. 286 00:20:05,200 --> 00:20:08,400 Oh, look at those darling blossoms. Bring them in, Bobby. 287 00:20:08,600 --> 00:20:11,200 Look at those little grapefruit or whatever you call them. 288 00:20:11,400 --> 00:20:12,600 See who sent them, Kay. 289 00:20:12,600 --> 00:20:14,000 - Help yourself, Bobby. - Oh, thank you. 290 00:20:14,200 --> 00:20:17,000 "Until you come to California, may I send California to you? 291 00:20:17,000 --> 00:20:18,800 - Norman Trumpett." - Trumpett? Trumpett? 292 00:20:18,800 --> 00:20:22,000 Oh, yes, that's that man from the what-you-call-it studios. 293 00:20:22,000 --> 00:20:23,400 - Sweet of him, wasn't it? - Yes. 294 00:20:23,600 --> 00:20:26,200 Not as if he expected to get anything outta it. 295 00:20:26,200 --> 00:20:28,200 Hmm, California must be a wonderful place. 296 00:20:28,200 --> 00:20:29,600 If you like cloudbursts. 297 00:20:29,600 --> 00:20:31,600 What're you rattling all those papers for? 298 00:20:31,600 --> 00:20:33,000 Paper make me nervous, Kay. 299 00:20:33,000 --> 00:20:35,000 - Invitations for tonight. - Oh. 300 00:20:35,000 --> 00:20:37,200 The Sheldon Evans want you for a small supper party. 301 00:20:37,400 --> 00:20:40,000 So does Mrs. Hoyt. So do the Leland W. Archers. 302 00:20:40,000 --> 00:20:42,200 - So do the Mr. and Mrs.. - Miss Marlowe regrets. 303 00:20:42,200 --> 00:20:44,600 Miss Marlowe has a previous engagement. 304 00:20:44,600 --> 00:20:46,600 Something very special, too. 305 00:20:46,600 --> 00:20:48,800 Something she wouldn't break for anybody in the world. 306 00:20:49,000 --> 00:20:51,400 I thought so. That's why I declined these for you. 307 00:20:51,400 --> 00:20:57,200 And here's the count coming up. Three, four, five, six, seven.. 308 00:20:57,400 --> 00:21:01,000 ...eight, nine...and there's the count of ten over Brogan. 309 00:21:01,200 --> 00:21:03,800 And the crowd goes wild. 310 00:21:03,800 --> 00:21:05,200 Well, there goes my 200 bucks. 311 00:21:05,200 --> 00:21:08,200 Down on the canvas with Brogan. Can't understand it. 312 00:21:08,200 --> 00:21:10,600 The last time I saw Brogan fight, he was great. 313 00:21:10,800 --> 00:21:13,000 Brogan's legs ain't what they were seven years ago. 314 00:21:13,000 --> 00:21:14,600 I know, but.. Say that's right. 315 00:21:14,800 --> 00:21:17,600 I haven't seen a fight since the show opened. 316 00:21:17,600 --> 00:21:19,000 That's just another last straw. 317 00:21:19,000 --> 00:21:20,800 Come in. 318 00:21:22,000 --> 00:21:23,600 No, you don't, either. 319 00:21:23,600 --> 00:21:27,200 Smoking! Smoking before the performance is over. 320 00:21:27,200 --> 00:21:30,400 Kay, why don't you go out and come back in five minutes? 321 00:21:30,600 --> 00:21:32,400 I heard you yesterday. You coughed twice. 322 00:21:32,600 --> 00:21:35,000 Only once. The first time was just a rehearsal. 323 00:21:36,000 --> 00:21:37,600 Alright, I'll put it away. 324 00:21:37,600 --> 00:21:40,200 Just wait'll I get off the treadmill of this show. 325 00:21:40,400 --> 00:21:42,600 Think that castle number went as well as usual? 326 00:21:42,600 --> 00:21:45,000 - It went beautifully. - I thought it went well too. 327 00:21:45,000 --> 00:21:47,400 I took a little longer pause just before the G.. 328 00:21:47,400 --> 00:21:49,200 What're all those? You're gonna read it? 329 00:21:49,200 --> 00:21:51,400 Invitations for tonight. Any interests? 330 00:21:51,400 --> 00:21:53,000 They're from awfully nice people. 331 00:21:53,200 --> 00:21:55,400 You tell each one of those awfully nice people 332 00:21:55,400 --> 00:21:58,400 that I've got a date for tonight and I wouldn't break-- 333 00:21:58,400 --> 00:21:59,800 I've already told them. 334 00:22:01,400 --> 00:22:03,200 There they are, right on the dot. 335 00:22:03,200 --> 00:22:05,200 If it weren't for those family telephone calls 336 00:22:05,200 --> 00:22:07,400 how would I set my watch every evening? 337 00:22:07,400 --> 00:22:08,800 Good evening, Miss Lane. 338 00:22:08,800 --> 00:22:11,000 And how is my nephew's performance tonight? 339 00:22:11,000 --> 00:22:12,600 Oh, perfectly splendid, Miss Lane. 340 00:22:12,600 --> 00:22:15,400 Everything's going beautifully. Yes, I think it is. 341 00:22:15,400 --> 00:22:18,600 I think it's the best anniversary we've had yet. 342 00:22:18,600 --> 00:22:20,000 Yes, yes, it is. 343 00:22:20,000 --> 00:22:21,400 Yes, I'll tell him. 344 00:22:21,600 --> 00:22:22,800 Your Aunt Amelia says.. 345 00:22:22,800 --> 00:22:25,600 That she sang "Iolanthe" 2000 times. 346 00:22:25,600 --> 00:22:28,000 And she's told me about it two million times. 347 00:22:28,000 --> 00:22:31,600 He says that's a wonderful record, Miss Lane. Yes. 348 00:22:31,600 --> 00:22:34,400 Now, Amelia. That's enough. 349 00:22:34,400 --> 00:22:38,000 Ernest is suppose to be giving a performance tonight, not you. 350 00:22:38,200 --> 00:22:41,200 Good evening, Miss Jordon. 351 00:22:41,200 --> 00:22:42,600 It's your Uncle Sheridan. 352 00:22:42,600 --> 00:22:44,400 The greatest Robin Hood of his day. 353 00:22:44,600 --> 00:22:45,800 So he tells me. What? 354 00:22:46,000 --> 00:22:48,000 Oh, of course, I'm listening, Mr. Lane. 355 00:22:48,000 --> 00:22:49,800 Yes, I'll tell.. 356 00:22:49,800 --> 00:22:51,200 Yes, yes. 357 00:22:51,200 --> 00:22:52,800 I've told him. 358 00:22:52,800 --> 00:22:54,800 Yes, I did, Miss Lane. 359 00:22:54,800 --> 00:22:56,400 Yes, I know. 360 00:22:56,400 --> 00:22:58,000 Yes, I will.. 361 00:22:58,000 --> 00:22:59,800 I'll be right in, Hannah. 362 00:22:59,800 --> 00:23:01,400 Yes, I will. 363 00:23:01,400 --> 00:23:02,400 Yes, I have. 364 00:23:02,400 --> 00:23:03,600 Yes, I know. 365 00:23:03,600 --> 00:23:05,800 Goodnight, Miss Lane. Goodnight, Mr. Lane. 366 00:23:06,000 --> 00:23:08,200 We have fun in our spare time, don't we? 367 00:23:08,200 --> 00:23:09,800 You'd better get dressed. 368 00:23:14,000 --> 00:23:16,400 What would your family do every night without a telephone? 369 00:23:16,400 --> 00:23:19,000 - There's carrier pigeons. - They might bite Brunhilde. 370 00:23:19,000 --> 00:23:21,000 Good evening, Mrs. Marlowe. 371 00:23:21,200 --> 00:23:25,200 Are we giving a lovely, lovely performance this evening? 372 00:23:26,200 --> 00:23:28,600 Oh, well, that's nice. 373 00:23:28,600 --> 00:23:31,000 Is our voice sweet and clear? 374 00:23:32,200 --> 00:23:35,200 Oh, lovely. Hmm. 375 00:23:35,200 --> 00:23:38,600 And do we look adorable in our costumes? 376 00:23:38,800 --> 00:23:40,200 Yes, we look great. 377 00:23:40,200 --> 00:23:42,400 I said your daughter looks lovely, Mrs. Marlowe. 378 00:23:42,400 --> 00:23:45,200 Yes. Yes, yes, I will. 379 00:23:45,400 --> 00:23:46,800 She wishes you could've seen her 380 00:23:46,800 --> 00:23:49,000 in her shepherdess costume when she sang "Dolly Varden." 381 00:23:49,200 --> 00:23:51,800 There's a picture of her in that costume in every room. 382 00:23:51,800 --> 00:23:55,200 She wishes she could've seen you in your shepherdess costume too. 383 00:23:55,400 --> 00:23:57,000 Yes. 384 00:23:57,000 --> 00:23:58,600 Watch me make Miss Kay laugh. 385 00:23:58,600 --> 00:24:01,400 Oh, the top of the evenin' to yez, Katy me girl. 386 00:24:01,400 --> 00:24:04,000 Oh. It's Mr. Marlowe now. Good evening, Mr. Marlowe. 387 00:24:04,200 --> 00:24:05,600 It's your Cousin Augustus. 388 00:24:05,600 --> 00:24:07,800 In a brief review of his past triumphs. 389 00:24:07,800 --> 00:24:09,400 And I'm supposing me beautiful Cousin Gwen 390 00:24:09,600 --> 00:24:11,800 is afther singin' like the larks in the trees 391 00:24:11,800 --> 00:24:14,200 this fine evenin', sure and begorry. Ha ha ha. 392 00:24:14,400 --> 00:24:18,400 Ooh la la, Mam'zelle Jordan, eet eez always zat I say zees. 393 00:24:18,600 --> 00:24:20,600 In Paris.. 394 00:24:20,600 --> 00:24:22,000 Will you kindly restrain your son 395 00:24:22,200 --> 00:24:23,800 from his attempts to grab the limelight? 396 00:24:23,800 --> 00:24:27,400 Now, brother, we must wait for our cue, not be little hogs. 397 00:24:27,600 --> 00:24:30,400 Hey, how much did we take in at the box-office tonight? 398 00:24:30,400 --> 00:24:33,600 Your brother. The last of the Marlowe's, he wants to know-- 399 00:24:33,600 --> 00:24:38,400 Tell him the box-office is $5287 and a counterfeit quarter. 400 00:24:38,400 --> 00:24:41,400 "Sweethearts", number next! "Sweethearts", number next! 401 00:24:43,600 --> 00:24:46,600 Shut your face. I've never missed a cue in my life. 402 00:24:50,800 --> 00:24:55,000 Salute the monarch so mighty and brave 403 00:24:55,000 --> 00:24:58,800 A ruler valiant and strong 404 00:24:58,800 --> 00:25:02,200 We fight his battles from cradle to grave 405 00:25:02,400 --> 00:25:04,200 Follow the king marching along 406 00:25:04,200 --> 00:25:07,000 Follow the king this happy day free from care 407 00:25:07,000 --> 00:25:08,800 Beautiful music in the air 408 00:25:09,000 --> 00:25:10,800 Sing and dance laugh and play 409 00:25:10,800 --> 00:25:13,200 Heaven has crowned a king today 410 00:25:13,200 --> 00:25:16,200 Salute the monarch so mighty and brave 411 00:25:16,400 --> 00:25:18,200 Follow the king marching along 412 00:25:18,200 --> 00:25:21,000 Follow the king this happy day free from care 413 00:25:21,000 --> 00:25:23,000 Beautiful music in the air 414 00:25:23,000 --> 00:25:25,000 Sing and dance laugh and play 415 00:25:25,000 --> 00:25:27,200 Heaven has crowned a king today 416 00:25:34,600 --> 00:25:40,000 I'll forsake the world for you 417 00:25:40,200 --> 00:25:45,600 I will make your every dream come true 418 00:25:45,600 --> 00:25:51,200 We'll know days and nights of love 419 00:25:51,400 --> 00:25:55,000 We will climb 420 00:25:55,000 --> 00:25:57,400 To the heights 421 00:25:57,600 --> 00:26:01,600 Of love 422 00:26:01,800 --> 00:26:07,600 Sweethearts who need no crown and throne 423 00:26:07,600 --> 00:26:13,000 Sweethearts who live on love alone 424 00:26:13,200 --> 00:26:16,600 We'll find 425 00:26:16,800 --> 00:26:20,800 A paradise somewhere 426 00:26:20,800 --> 00:26:23,200 Leaving behind 427 00:26:23,200 --> 00:26:26,600 All worldly care 428 00:26:26,600 --> 00:26:32,400 Sweetheart today will never fade 429 00:26:32,400 --> 00:26:37,800 Like an eternal serenade 430 00:26:38,000 --> 00:26:41,000 Our love 431 00:26:41,200 --> 00:26:46,400 Will end the way it starts 432 00:26:46,600 --> 00:26:53,000 Forever we'll be.. 433 00:26:53,000 --> 00:26:55,600 You think we'll ever have a chance to step in? 434 00:26:55,600 --> 00:26:58,400 You'd think she could've sprained just one ankle. 435 00:26:58,600 --> 00:27:03,000 Sweetheart today will never fade 436 00:27:03,000 --> 00:27:07,400 Like an eternal serenade 437 00:27:07,400 --> 00:27:12,000 We'll be together always together 438 00:27:12,000 --> 00:27:16,000 Parting never loving forever 439 00:27:16,000 --> 00:27:18,000 Wanting the world to know 440 00:27:18,200 --> 00:27:23,200 We love each other so 441 00:27:23,200 --> 00:27:28,200 For every lover 442 00:27:28,400 --> 00:27:33,400 Must meet his fate 443 00:27:33,400 --> 00:27:37,800 Beloved we are 444 00:27:38,000 --> 00:27:43,000 Sweethearts blessed 445 00:27:44,200 --> 00:27:47,200 By 446 00:27:47,400 --> 00:27:52,400 Fate 447 00:28:01,800 --> 00:28:05,800 - Speech! - Speech! 448 00:28:05,800 --> 00:28:08,600 Speech! Speech! Speech! 449 00:28:08,600 --> 00:28:11,200 Speech! Speech! 450 00:28:15,800 --> 00:28:19,400 - Don't know how to thank you. - All we can say is thank you. 451 00:28:22,000 --> 00:28:25,600 You can see that we-we still don't know how to make a speech. 452 00:28:25,600 --> 00:28:28,200 Oh, I'll tell you what. Let's all sing together. 453 00:28:28,200 --> 00:28:30,200 - It's a good idea. - Oscar, play something. 454 00:28:32,600 --> 00:28:34,400 Come on, everybody, you know the words. 455 00:28:34,400 --> 00:28:36,400 If you don't, sing anyway. 456 00:28:39,000 --> 00:28:43,600 Sweethearts who need no crown and throne 457 00:28:43,600 --> 00:28:47,800 Sweethearts who live on love alone 458 00:28:47,800 --> 00:28:52,200 We'll find a paradise somewhere 459 00:28:52,200 --> 00:28:56,400 Leaving behind all worldly care 460 00:28:56,400 --> 00:29:00,400 Sweetheart today will never fade 461 00:29:00,400 --> 00:29:04,800 Like an eternal serenade 462 00:29:04,800 --> 00:29:08,600 Our love will end the way it starts 463 00:29:08,800 --> 00:29:10,800 Forever we'll sing 464 00:29:10,800 --> 00:29:16,000 Should Auld Acquaintance be forgot 465 00:29:16,200 --> 00:29:20,200 And never brought to mind 466 00:29:20,400 --> 00:29:24,400 Should Auld Acquaintance be forgot 467 00:29:24,600 --> 00:29:28,200 And the days of Auld Lang Syne 468 00:29:28,200 --> 00:29:32,400 Sweetheart today will never fade 469 00:29:32,400 --> 00:29:36,800 Like an eternal serenade 470 00:29:36,800 --> 00:29:40,800 Our love will end the way it starts 471 00:29:40,800 --> 00:29:45,000 Forever we'll be 472 00:29:45,000 --> 00:29:51,200 Sweethearts 473 00:30:05,800 --> 00:30:09,000 Miss Gwen! Oh, Miss Gwen, you were wonderful! 474 00:30:09,200 --> 00:30:11,800 Oh, thank you, Hannah. Oh, thank you too, Brunhilde. 475 00:30:11,800 --> 00:30:14,800 You wouldn't say it if you didn't mean it. I'm exhausted. 476 00:30:14,800 --> 00:30:17,200 I never heard such applause in my life. 477 00:30:17,200 --> 00:30:18,800 Oh, what do I care about applause? 478 00:30:19,000 --> 00:30:21,000 You think there was more than last anniversary? 479 00:30:21,000 --> 00:30:23,000 - Oh, much more. - I thought so too. 480 00:30:23,000 --> 00:30:25,600 Look, Hannah, there it is again. Go get it. 481 00:30:25,600 --> 00:30:28,400 Oh, dear, dear. After every performance. 482 00:30:28,400 --> 00:30:33,000 - Every night. - And matinees, don't forget. 483 00:30:33,000 --> 00:30:35,800 "Six years with you are like six minutes. 484 00:30:36,000 --> 00:30:39,200 Six minutes without you are like six years." 485 00:30:42,800 --> 00:30:46,400 Well, Hannah, hurry, hurry. Get my dark blue suit out. 486 00:30:46,400 --> 00:30:47,800 Uh, which one, Miss Gwen? 487 00:30:47,800 --> 00:30:50,400 Thedark blue one. You know the one I mean. 488 00:30:50,600 --> 00:30:52,200 - Thone. - Yeah. Hurry. 489 00:31:15,600 --> 00:31:18,800 Come on, Hannah, Hannah, hurry up. Come on. 490 00:31:18,800 --> 00:31:21,200 Do you think tonight comes every night? Hurry. 491 00:31:22,600 --> 00:31:25,000 - There. - Oh, you're an angel, Hannah. 492 00:31:26,200 --> 00:31:28,600 Oh, there he is. Hurry up. Go on. Brr. 493 00:31:28,600 --> 00:31:29,800 Get out! 494 00:31:35,800 --> 00:31:37,600 - Remember me? - Oh, the gentleman in grey. 495 00:31:37,600 --> 00:31:40,000 - Six years ago. - Hasn't it lasted pretty well? 496 00:31:40,000 --> 00:31:42,600 So has mine, don't you think? Remember the something blue? 497 00:31:42,600 --> 00:31:44,000 You do get prettier every year. 498 00:31:44,200 --> 00:31:46,400 Oh, now listen, if you're gonna be personal 499 00:31:46,400 --> 00:31:48,600 you'd better step inside. Hurry up. 500 00:31:52,600 --> 00:31:55,800 - Do you mind if I kiss my wife? - No. I'd love it. 501 00:31:58,600 --> 00:32:00,000 It's six years today, Mrs. Lane. 502 00:32:00,200 --> 00:32:02,800 It was a funny way to get married, wasn't it? 503 00:32:02,800 --> 00:32:04,800 Sneaking off like that after the performance. 504 00:32:04,800 --> 00:32:08,000 A very good way. I'm never gonna get married any other way. 505 00:32:08,200 --> 00:32:10,000 No. Neither am I. 506 00:32:10,000 --> 00:32:11,200 Darling. 507 00:32:12,400 --> 00:32:14,200 Any changes you'd like made, Mrs. Lane? 508 00:32:14,400 --> 00:32:15,800 Oh, yes. Quite a big one. 509 00:32:16,000 --> 00:32:18,800 But never get any time together to tell you about it. 510 00:32:19,000 --> 00:32:21,000 - Tell me about it now. - That's just it. 511 00:32:21,000 --> 00:32:22,600 We don't see enough of each other. 512 00:32:22,800 --> 00:32:25,800 We certainly don't. Let's fix all that, starting tonight. 513 00:32:25,800 --> 00:32:27,600 Alright, starting tonight. Where will we go? 514 00:32:27,600 --> 00:32:29,200 Where do we go every year? 515 00:32:29,400 --> 00:32:30,400 Our private little table at 516 00:32:30,600 --> 00:32:31,600 Angelo's. 517 00:32:32,800 --> 00:32:34,600 Just think, darling. We'll be all alone. 518 00:32:34,600 --> 00:32:36,400 And nobody will ask us to sing. 519 00:32:36,600 --> 00:32:38,600 No, and there won't be crowds of women 520 00:32:38,600 --> 00:32:40,400 climbing all over asking for autographs. 521 00:32:40,400 --> 00:32:42,000 And there won't be any orchestras. 522 00:32:42,000 --> 00:32:44,000 Playing the hits from "Sweethearts." 523 00:32:44,000 --> 00:32:47,000 Oh, it'll be peaceful and quiet and it'll be heavenly. 524 00:32:47,000 --> 00:32:49,200 Thief, assassin, robber! 525 00:32:49,400 --> 00:32:53,800 You idiot! You ingrate! I don't even stoop to ignore you! 526 00:32:53,800 --> 00:32:55,400 You cowardly murderer! 527 00:32:55,400 --> 00:32:59,800 Your miserable music drowns out the beautiful words of my plot. 528 00:33:00,000 --> 00:33:01,800 Your plots interfere 529 00:33:02,000 --> 00:33:04,000 with my immortal music. 530 00:33:05,600 --> 00:33:07,600 Boys, don't make all this noise out here. 531 00:33:07,800 --> 00:33:09,800 Marlowe and Lane have had a tough evening. 532 00:33:09,800 --> 00:33:11,800 They've been working. What's it about this time? 533 00:33:12,000 --> 00:33:14,800 - His music is killing my lines. - It's a mercy killing, toots. 534 00:33:15,000 --> 00:33:17,000 Anything that'll put that book outta its misery. 535 00:33:17,200 --> 00:33:19,400 You tell that to me? The great playwright? 536 00:33:19,600 --> 00:33:22,800 Playwright! Playwright! Blah! 537 00:33:22,800 --> 00:33:25,400 If it were not for my music, you would not exist. 538 00:33:25,600 --> 00:33:27,800 - Boys, boys, boys! - For heaven's sake! 539 00:33:27,800 --> 00:33:29,400 What's going on here? 540 00:33:29,600 --> 00:33:31,800 Dink, if you must pick a fight, why here? 541 00:33:31,800 --> 00:33:33,800 Why not outside where it's nice and cool? 542 00:33:34,000 --> 00:33:36,800 - He says I'm not a playwright! - Well, that's alright, Leo. 543 00:33:37,000 --> 00:33:39,600 A playwright isn't such a bad thing not to be. 544 00:33:39,600 --> 00:33:41,000 But I am a playwright! 545 00:33:41,000 --> 00:33:43,200 And I need not descend to musical comedy. 546 00:33:43,200 --> 00:33:45,600 Didn't I write the world's most powerful drama? 547 00:33:45,800 --> 00:33:48,400 Shh. Oh, yes, Leo. I read it. I read that thing. 548 00:33:48,400 --> 00:33:50,800 I promised I wouldn't mention it if you wouldn't. 549 00:33:50,800 --> 00:33:54,800 My play of human emotions, founded on the universal truth. 550 00:33:54,800 --> 00:33:56,000 What's the universal truth? 551 00:33:56,200 --> 00:33:59,000 That every manager in New York turned it down? 552 00:33:59,000 --> 00:34:00,800 Why are we standing here talking about 553 00:34:00,800 --> 00:34:02,200 whatever we're talking about? 554 00:34:02,400 --> 00:34:05,400 There are a lotta things we've gotta do. And I was.. 555 00:34:05,400 --> 00:34:07,000 Look, Dink. Look! 556 00:34:07,200 --> 00:34:09,800 Here, children. Children! Children. 557 00:34:10,000 --> 00:34:12,600 Here, wait a minute. Where are you going? 558 00:34:12,600 --> 00:34:14,600 - Out. - I'm going out too. 559 00:34:14,600 --> 00:34:16,600 - Goodnight. - Oh, no, but you can't do that. 560 00:34:16,800 --> 00:34:18,800 You're supposed to come to the party. 561 00:34:18,800 --> 00:34:20,800 - What party? - My party. 562 00:34:20,800 --> 00:34:23,600 Just, it's just one little table at the Morango. 563 00:34:23,800 --> 00:34:25,800 Sorry, old man, but we've got another date. 564 00:34:25,800 --> 00:34:27,800 Yes. It was sweet of you to ask. 565 00:34:28,000 --> 00:34:30,800 But you've got to come. We've been planning this for weeks. 566 00:34:30,800 --> 00:34:33,800 We don't "got to come." We've been planning this for a year. 567 00:34:33,800 --> 00:34:35,800 We're not gonna get dragged into anything tonight. 568 00:34:36,000 --> 00:34:38,400 - I'm putting my foot down. - I'm putting mine down too. 569 00:34:38,400 --> 00:34:41,200 Well, you don't have to put them down on my heart. 570 00:34:41,400 --> 00:34:44,800 I don't see any reason to crush me beneath your feet. 571 00:34:45,000 --> 00:34:47,800 Oh, Felix. Oh, don't talk like that, Felix. 572 00:34:47,800 --> 00:34:49,600 Oh, well, I'm-I'm sorry. 573 00:34:49,600 --> 00:34:51,600 It was just the-the disappointment. 574 00:34:51,600 --> 00:34:53,800 It got too much for me. 575 00:34:53,800 --> 00:34:56,800 I'm-I'm-I'm...I'm an old man 576 00:34:56,800 --> 00:34:58,800 and I don't get many pleasures. 577 00:34:58,800 --> 00:35:01,000 But you...go ahead. 578 00:35:01,000 --> 00:35:04,200 Just think about yourselves. Don't.. 579 00:35:04,200 --> 00:35:05,600 Forget about me. I-I-- 580 00:35:05,800 --> 00:35:07,800 Oh, we'd, we'd never forget about you, Felix. 581 00:35:08,000 --> 00:35:11,800 No, no, no. You-you go on. Don't-don't worry about me. 582 00:35:11,800 --> 00:35:17,800 I...uh, I was talking to... arguing with Dink this morning. 583 00:35:17,800 --> 00:35:22,400 I said...my little kiddies would never leave their old friends 584 00:35:22,400 --> 00:35:24,800 and turn their backs on them 585 00:35:24,800 --> 00:35:29,800 when they just wanted to share their pleasures with them. 586 00:35:29,800 --> 00:35:33,000 But...most successful people are selfish 587 00:35:33,200 --> 00:35:36,400 and I'm glad you are selfish. You'll-- 588 00:35:36,400 --> 00:35:37,800 Oh, now wait a minute, Felix. 589 00:35:38,000 --> 00:35:39,800 You were arguing with Dink like that? 590 00:35:39,800 --> 00:35:41,400 Now listen, we never turned our back 591 00:35:41,400 --> 00:35:43,000 on an old friend in our lives. 592 00:35:43,200 --> 00:35:45,400 No. And we're certainly not gonna start now. 593 00:35:45,400 --> 00:35:47,600 Of course, if you don't want us to come 594 00:35:47,800 --> 00:35:49,600 all you have to do is tell us. 595 00:35:49,600 --> 00:35:52,400 If you think you'll keep us from attending that party 596 00:35:52,400 --> 00:35:54,000 I put my foot right down. 597 00:35:54,000 --> 00:35:56,200 Yes, and I put mine down...too. 598 00:35:56,400 --> 00:36:03,200 Yes, well...as long as you... put your...foot down, it's.. 599 00:36:03,200 --> 00:36:04,200 There we are. 600 00:36:23,000 --> 00:36:27,000 - Just a few of our old friends. - Yes, a really quiet evening. 601 00:36:27,000 --> 00:36:29,200 I guess we're stuck again, Mrs. Lane. 602 00:36:29,200 --> 00:36:30,800 I know we are, Mr. Lane. 603 00:36:31,000 --> 00:36:32,800 - Dear Felix. - Yeah. 604 00:36:32,800 --> 00:36:36,400 - Oh, darling. - Oh, here you are, kiddies. 605 00:36:36,400 --> 00:36:38,400 Welcome to our little gathering. 606 00:36:38,400 --> 00:36:42,000 I've got a nice cozy little table down here for us. 607 00:36:56,400 --> 00:36:58,000 - Isn't it quite a gathering? - Quite. 608 00:36:58,000 --> 00:36:59,200 Why don't you introduce us 609 00:36:59,400 --> 00:37:01,600 to a couple of hundred of our friends? 610 00:37:01,600 --> 00:37:02,800 I wanted to surprise you. 611 00:37:03,000 --> 00:37:05,000 Why don't you really surprise us some time 612 00:37:05,000 --> 00:37:06,200 and tell us the truth. 613 00:37:06,200 --> 00:37:07,400 I didn't want anything about 614 00:37:07,600 --> 00:37:09,000 our little party to leak out. 615 00:37:09,000 --> 00:37:11,400 It'd break my heart if it got in the newspapers. 616 00:37:11,400 --> 00:37:14,000 Oh, hello, boys. Why, they brought their cameras. 617 00:37:14,200 --> 00:37:16,800 Isn't that nice? They make a hobby of taking pictures. 618 00:37:16,800 --> 00:37:19,000 And getting them printed in the newspapers. 619 00:37:19,000 --> 00:37:21,400 You said this was just a party for the company. 620 00:37:21,400 --> 00:37:23,000 You promised Gwen and Ernest wouldn't come. 621 00:37:23,200 --> 00:37:25,400 This is the best stunt we've ever pulled. 622 00:37:25,400 --> 00:37:27,200 It may be your last. 623 00:37:27,200 --> 00:37:29,800 Well, now, let's all sit down and get comfortable 624 00:37:29,800 --> 00:37:32,200 so that the broadcast can start. 625 00:37:32,200 --> 00:37:33,600 Broadcast? 626 00:37:33,600 --> 00:37:34,800 Uh, yeah. 627 00:37:34,800 --> 00:37:36,800 It's-it's just a little national hook-up. 628 00:37:37,000 --> 00:37:40,200 The chorus wanted to put on the "Pretty As A Picture" number. 629 00:37:40,200 --> 00:37:41,600 To entertain you. 630 00:37:41,600 --> 00:37:45,800 They, uh, they thought it might amuse you to sing with them. 631 00:37:46,000 --> 00:37:47,600 Oh, it's just a little impromptuaffair. 632 00:37:47,600 --> 00:37:49,800 Yes. Well, that little imprompturunway over there 633 00:37:50,000 --> 00:37:51,600 it must've taken two weeks to build. 634 00:37:51,600 --> 00:37:54,000 Oh, we're gonna have a lot of fun tonight. 635 00:37:54,000 --> 00:37:56,000 I'm laughing now. Ha ha ha. 636 00:38:00,000 --> 00:38:01,600 - Thank you. - Thank you. 637 00:38:01,600 --> 00:38:04,200 You have just been listening to the Iridium Room Orchestra. 638 00:38:04,400 --> 00:38:06,800 And that special arrangement of the "Wedding March" 639 00:38:06,800 --> 00:38:08,800 was in honor or our two stars 640 00:38:08,800 --> 00:38:11,200 Gwen Marlowe and Ernest Lane. 641 00:38:15,400 --> 00:38:18,400 You know, folks, this party is a surprise for them tonight. 642 00:38:18,400 --> 00:38:20,400 And I wish you could see their faces. 643 00:38:20,400 --> 00:38:22,600 Just like two kids at Christmas. 644 00:38:22,600 --> 00:38:25,000 I wish every one of you listening out there 645 00:38:25,000 --> 00:38:27,400 could be here tonight. Right here with them. 646 00:38:27,600 --> 00:38:30,600 I wish you could see what this long run of "Sweethearts" 647 00:38:30,800 --> 00:38:34,000 has meant to each and every one of us connected with it. 648 00:38:34,000 --> 00:38:35,600 New friendships have been formed 649 00:38:35,600 --> 00:38:37,000 that can never be broken. 650 00:38:37,000 --> 00:38:39,600 Hearts are welded closer every day. 651 00:38:39,600 --> 00:38:42,000 I wish you could meet the man who's responsible 652 00:38:42,000 --> 00:38:44,200 for the success of "Sweethearts." 653 00:38:44,200 --> 00:38:47,600 A man whose name means everything in the theater. 654 00:38:47,600 --> 00:38:51,000 A man whose name stands for everything in the theater. 655 00:38:51,000 --> 00:38:54,800 Ladies and gentlemen, I give you Mr. Felix Lehman. 656 00:39:02,800 --> 00:39:06,600 - Limelight chaser. - Publicity seeker. 657 00:39:08,000 --> 00:39:10,000 Hello, everybody. 658 00:39:10,000 --> 00:39:11,400 Uh, can you hear me? 659 00:39:11,400 --> 00:39:14,000 I had no idea you were going to ask me 660 00:39:14,000 --> 00:39:15,200 to talk here tonight. 661 00:39:15,400 --> 00:39:17,600 Uh, we're not here for publicity. 662 00:39:17,600 --> 00:39:20,400 This is just a little family gathering to celebrate 663 00:39:20,400 --> 00:39:24,400 the wedding anniversary of Gwen Marlowe and Ernest Lane. 664 00:39:27,400 --> 00:39:29,400 I'm not even going to mention "Sweethearts" 665 00:39:29,400 --> 00:39:32,000 the show that they're starring in at the Melody Theater. 666 00:39:32,000 --> 00:39:35,200 We're not here to talk about "Sweethearts" or the way that 667 00:39:35,200 --> 00:39:38,600 "Sweethearts" has broken all records for the past six years 668 00:39:38,600 --> 00:39:41,800 playing at the Melody Matinees, Wednesday and Saturday. 669 00:39:42,000 --> 00:39:43,200 Ha ha, no. 670 00:39:43,200 --> 00:39:45,600 We're, we're just here to have a little fun 671 00:39:45,800 --> 00:39:47,600 and forget all about "Sweethearts." 672 00:39:47,600 --> 00:39:50,000 What's the name of that show we're here to forget? 673 00:39:50,000 --> 00:39:52,000 You'll never find out from him. 674 00:39:52,200 --> 00:39:55,400 Oh, yes, of course. I forgot all about him. 675 00:39:55,400 --> 00:39:58,000 Ladies and gentlemen, there's a gentleman here 676 00:39:58,000 --> 00:40:00,200 who has also had a lot to do 677 00:40:00,400 --> 00:40:02,600 with the success of "Sweethearts." 678 00:40:02,600 --> 00:40:04,200 He, uh, playing at the Mel.. 679 00:40:05,600 --> 00:40:07,800 He's come all the way across the ocean 680 00:40:07,800 --> 00:40:09,200 on a boat of course 681 00:40:09,400 --> 00:40:11,000 just to be with us here tonight. 682 00:40:11,000 --> 00:40:14,800 And I wonder if it would be possible for me to persuade him 683 00:40:14,800 --> 00:40:18,000 to come up to the microphone and just say a few words.. 684 00:40:18,200 --> 00:40:21,200 Oh. He's here. Uh, oh, you're both here. 685 00:40:21,200 --> 00:40:23,000 Yes, well, this makes it a little difficult. 686 00:40:23,200 --> 00:40:24,800 You better not both talk at once. 687 00:40:24,800 --> 00:40:27,800 Uh, Leo, you speak first because you're the tallest. 688 00:40:27,800 --> 00:40:31,600 Anyway, ladies and gentlemen, this is Mr. Leo Kronk, whom I-- 689 00:40:31,600 --> 00:40:35,600 Uh, my public, it's so good of you to welcome me back this way. 690 00:40:35,800 --> 00:40:39,000 As you all know I've been on the shores of the Mediterranean 691 00:40:39,200 --> 00:40:40,000 for a brief rest. 692 00:40:40,200 --> 00:40:42,000 A brief rest of six years. 693 00:40:42,000 --> 00:40:44,400 - Yet just a lunch hour, really. - Mm. 694 00:40:44,400 --> 00:40:48,000 I thought of Gwen Marlowe and Ernest Lane as I lay 695 00:40:48,000 --> 00:40:50,400 in the glorious sunshine of Capri. 696 00:40:50,400 --> 00:40:53,000 - I thought of Felix Lehman. - Oh. 697 00:40:53,000 --> 00:40:56,600 And one day, I even thought of Oscar Engel. 698 00:40:56,600 --> 00:40:57,600 Hm? 699 00:40:57,600 --> 00:40:58,600 We mustn't forget that 700 00:40:58,800 --> 00:41:01,200 he also contributed in his way to "Sweethearts." 701 00:41:01,200 --> 00:41:03,600 As I said to the Rajah of Tankor-- 702 00:41:03,600 --> 00:41:07,200 Yes, yes, thank you very much. Thank you, Leo Kronk. 703 00:41:07,400 --> 00:41:09,600 Ladies and gentlemen, I hope that you all 704 00:41:09,600 --> 00:41:12,400 enjoyed that little as much as I did. 705 00:41:12,400 --> 00:41:15,400 And now, I want to introduce to you the composer-- 706 00:41:15,400 --> 00:41:19,600 Hell-o-o! Hell-o-o, everybody. 707 00:41:19,600 --> 00:41:21,400 I speak to you now. 708 00:41:21,600 --> 00:41:27,000 But my music have spoken for me all the time I have been away 709 00:41:27,000 --> 00:41:31,200 in London, in Paris, in Cairo 710 00:41:31,400 --> 00:41:34,800 in Venice and in Budapest. 711 00:41:34,800 --> 00:41:36,400 Thank you very much. 712 00:41:36,400 --> 00:41:40,800 That was a very nice, little talk and, uh.. 713 00:41:40,800 --> 00:41:44,800 ...and, uh, now our two stars Gwen Marlowe and Ernest Lane 714 00:41:45,000 --> 00:41:47,200 are so anxious to sing for you 715 00:41:47,200 --> 00:41:50,200 and I don't think we ought to keep them waiting. 716 00:41:50,400 --> 00:41:51,800 Here we go. 717 00:41:51,800 --> 00:41:53,800 Yes, this'll be a nice change for us. 718 00:41:53,800 --> 00:41:57,800 They're going to sing a little song that you know very well 719 00:41:57,800 --> 00:42:00,000 called "Pretty as a Picture." 720 00:42:23,400 --> 00:42:25,600 I dabbled in the world of art 721 00:42:25,600 --> 00:42:26,800 So? 722 00:42:27,000 --> 00:42:29,400 I've donned a smock in gay Montmarte 723 00:42:29,400 --> 00:42:30,400 Oh? 724 00:42:30,400 --> 00:42:33,800 But just between us two 725 00:42:33,800 --> 00:42:37,000 Can you tell black from blue? 726 00:42:37,000 --> 00:42:38,400 Now, listen. 727 00:42:38,600 --> 00:42:40,600 I've painted etched and carved a bit 728 00:42:40,800 --> 00:42:42,000 A bit of what? 729 00:42:42,000 --> 00:42:44,800 I've sculpt and sketched and starved at it 730 00:42:44,800 --> 00:42:45,800 Starved? 731 00:42:46,000 --> 00:42:48,600 Do you know form and line 732 00:42:48,600 --> 00:42:49,400 Yup, and.. 733 00:42:49,400 --> 00:42:54,000 I do know you're divine 734 00:42:54,000 --> 00:42:55,200 Oh, darling. 735 00:42:55,400 --> 00:42:56,800 Your grace Your style 736 00:42:56,800 --> 00:42:58,200 Oh, yes. 737 00:42:58,200 --> 00:43:00,000 You're much Too much 738 00:43:00,000 --> 00:43:01,200 Your face 739 00:43:01,400 --> 00:43:03,000 Your smile 740 00:43:03,000 --> 00:43:06,800 Are master's thoughts 741 00:43:06,800 --> 00:43:08,000 Go on 742 00:43:08,000 --> 00:43:13,000 You're pretty as a picture 743 00:43:13,200 --> 00:43:16,800 Darling you're a dream 744 00:43:17,000 --> 00:43:20,400 Who could paint a picture 745 00:43:20,600 --> 00:43:27,600 Lovely as you seem this moment 746 00:43:27,600 --> 00:43:31,200 It would take a Rembrandt 747 00:43:31,200 --> 00:43:35,200 To catch the charm of you 748 00:43:35,400 --> 00:43:38,800 You're pretty as a 749 00:43:39,000 --> 00:43:44,400 Picture 750 00:43:44,400 --> 00:43:48,200 An angel from 751 00:43:48,200 --> 00:43:54,600 The blue 752 00:43:54,800 --> 00:43:57,600 Although you may think what you say 753 00:43:57,800 --> 00:44:00,000 Is clever and unique 754 00:44:00,000 --> 00:44:01,200 Isn't it? 755 00:44:01,200 --> 00:44:04,200 A hundred million times a day 756 00:44:04,200 --> 00:44:07,000 A million others speak 757 00:44:07,000 --> 00:44:07,800 They do? 758 00:44:08,000 --> 00:44:10,000 The same old line 759 00:44:10,000 --> 00:44:11,000 Really? 760 00:44:11,000 --> 00:44:12,800 Same old line 761 00:44:12,800 --> 00:44:15,800 The same old line 762 00:44:15,800 --> 00:44:18,600 Well, doggone. 763 00:44:18,600 --> 00:44:21,000 You're precious you're cute you're terribly sweet 764 00:44:21,000 --> 00:44:22,000 Now we're getting somewhere. 765 00:44:22,200 --> 00:44:27,200 While we sit by and smile 766 00:44:27,200 --> 00:44:31,800 And the sigh 767 00:44:31,800 --> 00:44:34,800 You just repeat repeat repeat 768 00:44:34,800 --> 00:44:36,000 And now you hate it. 769 00:44:36,000 --> 00:44:42,200 Oh breathes there a man 770 00:44:42,200 --> 00:44:49,200 With soul so dead 771 00:44:49,200 --> 00:44:52,400 Who never ever took her hand 772 00:44:52,400 --> 00:44:59,400 And to his girlfriend said 773 00:45:01,400 --> 00:45:06,600 You're pretty as a picture 774 00:45:06,600 --> 00:45:09,600 Baby you're divine 775 00:45:09,600 --> 00:45:11,800 And when you truck on down the street 776 00:45:12,000 --> 00:45:13,600 My heart starts to beat 777 00:45:13,600 --> 00:45:16,000 Crazy rhythm in swing-time 778 00:45:16,000 --> 00:45:18,000 Hardly.. 779 00:45:18,200 --> 00:45:19,800 They don't tweet tweet 780 00:45:24,000 --> 00:45:27,400 Honestly I mean it 781 00:45:27,400 --> 00:45:30,400 And you always will 782 00:45:30,400 --> 00:45:34,000 You're pretty as a 783 00:45:34,200 --> 00:45:40,200 Picture 784 00:45:42,200 --> 00:45:46,600 Just as long as you will pay the bill 785 00:45:46,800 --> 00:45:48,400 You're beautiful You're sweet 786 00:45:48,600 --> 00:45:50,200 You're precious and divine 787 00:45:50,200 --> 00:45:51,400 Your feet 788 00:45:51,400 --> 00:45:52,600 Petite 789 00:45:52,600 --> 00:45:54,600 Where meant to dance with mine 790 00:45:54,600 --> 00:46:01,600 You taunt me when I whisper of romance 791 00:46:02,400 --> 00:46:05,400 We'll try again 792 00:46:05,600 --> 00:46:11,600 To tell me while we dance To tell you while we dance 793 00:46:18,600 --> 00:46:20,800 Your pretty as a picture 794 00:46:23,400 --> 00:46:28,000 Darling your a dream 795 00:46:28,000 --> 00:46:32,200 Who could paint a picture 796 00:46:32,200 --> 00:46:36,400 Lovely as you seem this moment 797 00:46:36,600 --> 00:46:38,400 It would take a Rembrandt 798 00:46:38,600 --> 00:46:45,200 To catch the charm of you 799 00:46:45,200 --> 00:46:51,600 As pretty as a picture 800 00:46:53,400 --> 00:46:59,400 And I'm in love 801 00:46:59,400 --> 00:47:06,000 With you 802 00:47:08,000 --> 00:47:10,000 Thank you, Gwen and Ernest. 803 00:47:10,200 --> 00:47:12,400 And listen to the way they're all thanking you. 804 00:47:12,400 --> 00:47:16,400 I think that means they want you to sing "The Game of Love." 805 00:47:16,400 --> 00:47:19,200 It does! Alright, boys. Hit it. 806 00:47:28,600 --> 00:47:30,400 Mademoiselle 807 00:47:30,600 --> 00:47:32,000 Mademoiselle I'm.. 808 00:47:32,200 --> 00:47:34,000 - Hello? - Mr. Trumpet? 809 00:47:34,000 --> 00:47:35,400 I have Hollywood for you. 810 00:47:35,400 --> 00:47:38,000 Ready, New York. Mr. Silver will talk now. 811 00:47:38,200 --> 00:47:40,800 Mademoiselle what shall I do 812 00:47:42,400 --> 00:47:45,800 I want to know what can I do.. 813 00:47:49,400 --> 00:47:51,400 Trumpet, how are you? 814 00:47:51,400 --> 00:47:53,600 I feel terrible. Why? 815 00:47:53,600 --> 00:47:55,800 Sure. I'm still at the studio. 816 00:47:55,800 --> 00:47:57,600 You think it's a holiday out here? 817 00:47:57,600 --> 00:47:59,000 Always there's something. 818 00:47:59,000 --> 00:48:00,800 Now Joan Darrow falls off the throne 819 00:48:00,800 --> 00:48:03,000 in the coronation sequence and breaks her arm. 820 00:48:03,000 --> 00:48:06,600 Yes, everybody quits on me. And not only that. 821 00:48:06,600 --> 00:48:09,000 We're having an unusual amount of foggy weather 822 00:48:09,000 --> 00:48:11,400 and all the location companies are held up. 823 00:48:11,400 --> 00:48:14,600 Well, have you got Marlowe and Lane? 824 00:48:14,600 --> 00:48:16,600 You're listening to them over the radio? 825 00:48:16,600 --> 00:48:18,000 Say, I'm doing that myself 826 00:48:18,000 --> 00:48:20,600 and we're three hours behind you out here. 827 00:48:20,600 --> 00:48:24,400 I mean, have you got them yet? 828 00:48:24,400 --> 00:48:26,200 Eventually? 829 00:48:26,200 --> 00:48:27,800 Now listen, eventually.. 830 00:48:27,800 --> 00:48:31,800 That's just a lot of words to me. I want results. 831 00:48:32,000 --> 00:48:34,600 I've got a picture we could start shooting tomorrow 832 00:48:34,600 --> 00:48:36,400 if we had a script. 833 00:48:36,400 --> 00:48:39,000 And Marlowe and Lane are the only team in America 834 00:48:39,200 --> 00:48:40,600 who can act it. 835 00:48:40,600 --> 00:48:43,200 Well, maybe Lunt and Fontaine if they could sing. 836 00:48:43,200 --> 00:48:44,600 What? 837 00:48:44,800 --> 00:48:47,600 I know I bought it for Sally Hayes and Neil Craig. 838 00:48:47,600 --> 00:48:50,400 But he got bit by a rattlesnake out on location. 839 00:48:50,400 --> 00:48:52,000 And she's in the hospital from overwork. 840 00:48:52,000 --> 00:48:55,200 Can't even see the doctor for six months. 841 00:48:55,200 --> 00:48:58,800 No, no! Bob Brandon got makeup poisoning. 842 00:48:59,000 --> 00:49:01,600 And Gabriel Gabriel went back to Brooklyn. 843 00:49:01,600 --> 00:49:04,800 Yeah, she got sore because of doing two pictures at once. 844 00:49:05,000 --> 00:49:07,400 I tell you, we've got to have Marlowe and Lane. 845 00:49:07,600 --> 00:49:09,400 Mr. Silver, Mr. Silver. 846 00:49:09,400 --> 00:49:10,800 Oh, h-hold it, Trumpet. 847 00:49:11,000 --> 00:49:12,000 Stage eight is under water. 848 00:49:12,200 --> 00:49:14,000 Brenda Stanton just fainted on the set. 849 00:49:14,000 --> 00:49:15,800 Right in the middle of the 24th take. 850 00:49:15,800 --> 00:49:17,400 - Well, send her home. - We can't. 851 00:49:17,600 --> 00:49:19,400 - Haven't got a row boat left. - See? 852 00:49:19,400 --> 00:49:21,200 We haven't even got a row boat left. 853 00:49:21,200 --> 00:49:24,600 Now you bring back Marlowe and Lane or we go out of business. 854 00:49:24,600 --> 00:49:26,400 Don't worry, Mr. Silver. 855 00:49:26,400 --> 00:49:28,800 It's afait accompli. 856 00:49:28,800 --> 00:49:33,600 I say that Marlowe and Lane are virtually in the bag. 857 00:49:33,600 --> 00:49:34,600 Goodnight. 858 00:49:38,000 --> 00:49:40,400 Thank you, Gwen and Ernest. 859 00:49:40,600 --> 00:49:42,200 What did you say, Mr. Lehman? 860 00:49:42,400 --> 00:49:43,800 Oh, marvelous. 861 00:49:43,800 --> 00:49:46,400 Felix Lehman has just told me that telegrams are coming in 862 00:49:46,600 --> 00:49:49,200 from all over country asking you to sing "Sweethearts." 863 00:49:49,200 --> 00:49:52,600 You simply can't say no to that, can you, Gwen and Ernest? 864 00:49:52,600 --> 00:49:56,000 Very silly of you to brought that up, Felix old boy. 865 00:49:58,200 --> 00:50:00,200 The doorman please. 866 00:50:03,200 --> 00:50:05,000 Carriage entrance. Hotel Merango. 867 00:50:05,000 --> 00:50:07,400 I'm speaking for Miss Marlowe and Mr. Lane. 868 00:50:07,400 --> 00:50:10,000 Will you tell their chauffer not to wait any longer? 869 00:50:10,000 --> 00:50:13,000 They're riding home...with a friend. 870 00:50:14,600 --> 00:50:15,800 - Goodnight. - Goodnight. 871 00:50:16,600 --> 00:50:18,600 - Goodnight. - Goodnight. 872 00:50:21,800 --> 00:50:23,800 Ho-ho, there they are, my kiddies. 873 00:50:23,800 --> 00:50:25,200 They've earned a good night's rest. 874 00:50:25,200 --> 00:50:27,600 I couldn't have asked anything more of them tonight. 875 00:50:27,800 --> 00:50:29,400 They were great. Everything was swell. 876 00:50:29,600 --> 00:50:31,200 Yes, and the evening started so badly 877 00:50:31,200 --> 00:50:32,600 with Trumpet prowling around the theater. 878 00:50:32,800 --> 00:50:35,200 I scared Trumpet off. He won't bother us again. 879 00:50:35,200 --> 00:50:37,000 Ha ha. We both scared him. 880 00:50:37,000 --> 00:50:41,200 He won't dare try to see Marlowe and Lane while we're around. 881 00:50:41,200 --> 00:50:42,600 Look! 882 00:50:48,800 --> 00:50:51,600 Very nice of you to give us a lift, Mr. Trumpet. 883 00:50:51,600 --> 00:50:52,800 Yes, and so lucky too. 884 00:50:52,800 --> 00:50:54,800 Came along just when we needed you. 885 00:50:54,800 --> 00:50:56,600 Yes, I rather have a way 886 00:50:56,600 --> 00:50:58,800 of coming along when people need me. 887 00:50:58,800 --> 00:51:01,000 Can't imagine what could've happened to our chauffer. You? 888 00:51:01,200 --> 00:51:03,000 Maybe he got tired and went home. 889 00:51:03,000 --> 00:51:04,800 Well, I can see his point. 890 00:51:04,800 --> 00:51:06,600 You two must be utterly exhausted. 891 00:51:06,600 --> 00:51:08,600 I don't know how you keep it up. 892 00:51:08,600 --> 00:51:11,000 Performances, broadcasts, benefits. 893 00:51:11,000 --> 00:51:14,600 Never a let-up, never a change, year in and year out. 894 00:51:14,600 --> 00:51:16,000 It's all part of our job. 895 00:51:16,200 --> 00:51:18,800 Yes, but rather an unnecessary part, don't you think? 896 00:51:18,800 --> 00:51:21,000 Now, in Hollywood we protect our artists. 897 00:51:21,000 --> 00:51:23,800 We know that leisure and rest are necessary to them. 898 00:51:23,800 --> 00:51:26,600 We recognize that they have a right to their own lives. 899 00:51:26,800 --> 00:51:29,000 Among those darling, little orange trees. 900 00:51:29,200 --> 00:51:31,800 Yes. Oh, I wish you could see the orange trees 901 00:51:31,800 --> 00:51:34,400 around my place in Beverly Hills. 902 00:51:34,400 --> 00:51:36,200 I haven't given up hope that one day 903 00:51:36,200 --> 00:51:39,200 you'll have some of your own to look at out there. 904 00:51:39,200 --> 00:51:41,600 An orange ranch in Beverly Hills. 905 00:51:41,600 --> 00:51:43,800 And our own garden. 906 00:51:43,800 --> 00:51:45,800 I've always wanted to dig in the earth. 907 00:51:45,800 --> 00:51:47,800 Yeah, to put on overalls and get out 908 00:51:47,800 --> 00:51:50,000 and chop down your own fruit trees. 909 00:51:50,000 --> 00:51:52,000 - Oh, that's living. - Yes. 910 00:51:54,000 --> 00:51:56,200 Uh, Mr. Silver telephoned me again tonight. 911 00:51:56,200 --> 00:51:58,200 - He spoke of you two again. - 'Oh?' 912 00:51:58,200 --> 00:52:00,000 He'd just listened in to your broadcast 913 00:52:00,000 --> 00:52:01,600 and he was very enthusiastic. 914 00:52:01,600 --> 00:52:03,800 'He stayed up especially to hear it.' 915 00:52:04,000 --> 00:52:07,200 Stayed up? Wasn't it only about half past nine out there? 916 00:52:07,200 --> 00:52:10,000 Yes, but you see, we do things rather differently out there. 917 00:52:10,200 --> 00:52:12,400 When you're through with your little bit in the studio 918 00:52:12,400 --> 00:52:16,600 which is usually very early, you have a lot of time to play 919 00:52:16,800 --> 00:52:18,400 and then, of course, you're healthily tired 920 00:52:18,400 --> 00:52:22,000 just about the time that you in New York have to go to work. 921 00:52:22,000 --> 00:52:24,600 Just imagine having your evenings all to yourself. 922 00:52:26,600 --> 00:52:28,800 Tell me, Mr. Trumpet 923 00:52:29,000 --> 00:52:31,000 what's it like out in Hollywood, making pictures? 924 00:52:31,200 --> 00:52:33,400 Well, of course, it's very different from the theater. 925 00:52:33,400 --> 00:52:36,400 When you make a picture, you just take a scene once 926 00:52:36,600 --> 00:52:37,800 and you're through with it. 927 00:52:38,000 --> 00:52:40,800 You sing a song and it's heard in a 100,000 theaters 928 00:52:41,000 --> 00:52:42,800 all over the world, but you yourself 929 00:52:42,800 --> 00:52:44,800 never have to sing it again. 930 00:52:44,800 --> 00:52:48,600 Your work's done once you've sung the song once. 931 00:52:48,800 --> 00:52:50,600 Oh, just imagine singing a song once. 932 00:52:50,800 --> 00:52:52,400 Is that all there is to it? 933 00:52:52,400 --> 00:52:55,400 Yes, of course, and when the picture's over, you just relax 934 00:52:55,400 --> 00:52:59,600 and do as you please until you choose to do your next picture. 935 00:52:59,800 --> 00:53:03,000 Oh. Well, does everybody do that out there? 936 00:53:03,200 --> 00:53:05,200 Yes, all Mr. Silver's stars. 937 00:53:05,400 --> 00:53:08,200 He said again that if ever you feel you'd like to 938 00:53:08,200 --> 00:53:11,400 do a picture or two, he'd be very charmed to have you. 939 00:53:11,400 --> 00:53:15,200 - That's awfully nice of him. - Oh, it certainly is, but.. 940 00:53:15,400 --> 00:53:17,400 You know, we.. 941 00:53:17,400 --> 00:53:20,200 If ever you feel you'd like a vacation and a rest 942 00:53:20,400 --> 00:53:23,200 from this grueling monotony of the theater 943 00:53:23,200 --> 00:53:26,000 just remember that Hollywood is waiting for you. 944 00:53:26,000 --> 00:53:27,800 Oh, well, here you are. Home already. 945 00:53:27,800 --> 00:53:30,800 - It was awfully nice of you. - Was a charming, little chat. 946 00:53:31,000 --> 00:53:32,600 - Certainly. - Most certainly. 947 00:53:32,600 --> 00:53:34,000 It was awfully nice of you.. 948 00:53:42,200 --> 00:53:44,200 Oh, Brother, for goodness sake. 949 00:53:44,200 --> 00:53:47,000 - Are you still up? - Oh, how could I sleep? 950 00:53:47,000 --> 00:53:49,400 I've been wondering about that counterfeit quarter 951 00:53:49,400 --> 00:53:51,400 we took in at the box-office tonight. 952 00:53:51,400 --> 00:53:54,800 Children. I didn't hear us come in. 953 00:53:55,000 --> 00:53:57,000 - Hello, mother. - Hello. 954 00:53:57,200 --> 00:53:59,400 - Oh, you're all still up. - Why, of course. 955 00:53:59,400 --> 00:54:00,800 We've been awaiting you. 956 00:54:00,800 --> 00:54:03,000 Me vely, vely glad all same me seeing you. 957 00:54:03,200 --> 00:54:05,200 Come inside, please. You make chin-chin, thank you. 958 00:54:05,400 --> 00:54:08,000 Yes, dears. Come in. We'll have a nice, little chat. 959 00:54:08,000 --> 00:54:10,400 - And our lemon juice. - Oh, but, mother, it's so late. 960 00:54:10,400 --> 00:54:12,200 Oh, now, you mustn't think about us. 961 00:54:12,200 --> 00:54:15,200 We're never too tired to have a little talk with our children. 962 00:54:15,400 --> 00:54:17,800 We coming in now, please. All same follow me. 963 00:54:17,800 --> 00:54:20,000 - Vely good. Chin-chin.. - Yes, dear. Come along. 964 00:54:20,200 --> 00:54:22,000 - Come, Brother. - Watch me surprise them. 965 00:54:22,200 --> 00:54:24,400 I'll give them some entrance music. 966 00:54:31,000 --> 00:54:35,000 Oh, mother, please. Won't you let us off just one night? 967 00:54:35,000 --> 00:54:37,400 But lemon juice is so good for our voice. 968 00:54:37,400 --> 00:54:40,400 The whole thing's nonsense and always has been. 969 00:54:40,400 --> 00:54:44,600 I sang "Iolanthe" 2000 times without the aid of lemon juice. 970 00:54:44,600 --> 00:54:47,400 Sure and begorry, if you'd used it, Amelia, me girl 971 00:54:47,400 --> 00:54:49,200 you might've been singing it yet. 972 00:54:49,200 --> 00:54:52,200 My brother Orlando, certainly the greatest living interpreter 973 00:54:52,200 --> 00:54:54,800 of Gilbert Sullivan, says that singing 974 00:54:54,800 --> 00:54:56,400 is the only tonic for the voice. 975 00:54:56,400 --> 00:54:59,000 Boy, is your brother Orlando, laying an egg 976 00:54:59,000 --> 00:55:00,400 with that Penzance troupe. 977 00:55:00,400 --> 00:55:02,800 Is the child referring to Orlando's present tour 978 00:55:02,800 --> 00:55:04,000 in the Pirates of Penzance? 979 00:55:04,200 --> 00:55:06,200 Look, it's right here on "Variety." 980 00:55:06,200 --> 00:55:09,200 "Orlando Lane's Pirates Floppola in Philly. 981 00:55:09,200 --> 00:55:12,400 Veteran's Road Revival Biz N.S.G." 982 00:55:12,400 --> 00:55:14,800 - N.S.G? - Not so good. 983 00:55:14,800 --> 00:55:18,200 Oh, the road has changed sadly since my day. 984 00:55:18,200 --> 00:55:21,600 Now, Sheridan and I played to tremendous business everywhere 985 00:55:21,600 --> 00:55:23,200 in the "The Prince of Pilsen." 986 00:55:23,200 --> 00:55:24,400 They're off again. 987 00:55:24,400 --> 00:55:27,400 Yeah, and there's no telling where it will end. 988 00:55:27,400 --> 00:55:30,600 Augustus, do you remember that you played 989 00:55:30,600 --> 00:55:32,400 in the Chicago company? 990 00:55:32,400 --> 00:55:34,000 Do I remember? 991 00:55:34,000 --> 00:55:37,600 Was you ever in Cincinnati? Oh, that waltz. 992 00:55:41,400 --> 00:55:43,600 It's rather pretty at that, isn't it? 993 00:55:43,600 --> 00:55:49,600 She's thick with thorns beset 994 00:55:49,800 --> 00:55:53,000 And nature when 995 00:55:53,000 --> 00:55:56,800 She breathes of love 996 00:55:56,800 --> 00:56:03,000 Speaks through the violet 997 00:56:05,400 --> 00:56:11,200 I bring a breath of springtime 998 00:56:11,200 --> 00:56:16,400 From woodland where I grew 999 00:56:16,400 --> 00:56:22,200 There's a kiss upon each petal 1000 00:56:22,400 --> 00:56:27,800 My lips are sweet with dew 1001 00:56:27,800 --> 00:56:33,200 The one who sends this message 1002 00:56:33,400 --> 00:56:38,800 Would whisper soft to you 1003 00:56:38,800 --> 00:56:40,800 I love you 1004 00:56:41,000 --> 00:56:42,800 Love you 1005 00:56:43,000 --> 00:56:47,800 Love you 1006 00:56:49,200 --> 00:56:55,400 And my heart's true blue 1007 00:56:57,200 --> 00:57:00,600 Oh the life in high society 1008 00:57:00,600 --> 00:57:03,600 Is one perpetual lark 1009 00:57:03,600 --> 00:57:07,000 But shh don't say I told you 1010 00:57:07,200 --> 00:57:10,000 Keep it dark Keep it dark 1011 00:57:10,200 --> 00:57:13,200 But shh don't say I told you 1012 00:57:13,400 --> 00:57:17,800 Keep it dark Keep it dark 1013 00:57:22,800 --> 00:57:26,400 Have you two retired from radio work? 1014 00:57:26,400 --> 00:57:28,800 If you're going to broadcast tomorrow 1015 00:57:29,000 --> 00:57:30,400 you've got to get some sleep. 1016 00:57:30,400 --> 00:57:32,400 Oh, but we don't broadcast tomorrow, Kay. 1017 00:57:32,600 --> 00:57:34,000 It's Friday evening. 1018 00:57:34,200 --> 00:57:37,400 Didn't you give them my message that broadcast had been changed? 1019 00:57:37,600 --> 00:57:39,200 What, dear? Oh, I forgot. 1020 00:57:39,200 --> 00:57:41,600 I never can understand about radio anyway. 1021 00:57:41,600 --> 00:57:43,600 It's a mystery to a lot of people. 1022 00:57:43,600 --> 00:57:46,000 Nevertheless, there's a Fireside Chat Friday evening 1023 00:57:46,000 --> 00:57:48,200 and the Sweetheart's Hour has been switched to tomorrow. 1024 00:57:48,400 --> 00:57:50,000 But we have a matinee tomorrow. 1025 00:57:50,000 --> 00:57:52,400 It's before the matinee. Between 1:00 and 2:00. 1026 00:57:52,400 --> 00:57:54,800 You're slipping, Kay. I've got a recording then. 1027 00:57:54,800 --> 00:57:56,200 That's been changed, for the worse. 1028 00:57:56,200 --> 00:57:58,200 It's between 1:00 and 01:30 now. 1029 00:57:58,200 --> 00:58:00,400 Buckle on your roller skates, whizz over the broadcast. 1030 00:58:00,400 --> 00:58:02,800 But why all this tomorrow? Why not on Thursday? 1031 00:58:03,000 --> 00:58:05,200 Yes. Why not Thursday? Miss Lane? 1032 00:58:05,400 --> 00:58:07,400 I explained to Kay that I've made arrangements 1033 00:58:07,400 --> 00:58:10,000 for you to sing a few songs Thursday morning 1034 00:58:10,000 --> 00:58:11,400 at the Juliet Club meeting. 1035 00:58:11,400 --> 00:58:14,200 - You might've asked us first-- - It's alright, Ernest. 1036 00:58:14,200 --> 00:58:17,000 Kay, you can call up the radio people and tell them 1037 00:58:17,000 --> 00:58:18,200 we'll do it Thursday afternoon. 1038 00:58:18,200 --> 00:58:19,600 Your turn, Mrs. Marlowe. 1039 00:58:19,600 --> 00:58:21,600 I promised, on Thursday afternoon you and Ernest 1040 00:58:21,600 --> 00:58:24,400 would sing at the benefit for the Dela Z. Fox Foundation. 1041 00:58:24,400 --> 00:58:27,200 And Friday, I have agreed that you will appear with me 1042 00:58:27,200 --> 00:58:29,600 in my Two Hours of Reminiscence at the Thespians. 1043 00:58:29,800 --> 00:58:31,800 Say, you don't get 'em for Friday morning. 1044 00:58:31,800 --> 00:58:35,400 I told 'em at school you'd help Augustus hand out the diplomas. 1045 00:58:35,400 --> 00:58:39,400 Si, si, si,we give the big diploma to the little bambinos. 1046 00:58:39,400 --> 00:58:42,200 And that's why the only time for your broadcast 1047 00:58:42,200 --> 00:58:44,600 is between 01:00 and 02:00 tomorrow. 1048 00:58:48,200 --> 00:58:51,000 But it isn't the first time. This happens all the time. 1049 00:58:51,200 --> 00:58:53,400 Every single day there's something or.. 1050 00:58:53,600 --> 00:58:57,600 Alright. Alright, you made the promises, we'll keep them. 1051 00:58:57,600 --> 00:59:00,000 Come on, darling, let's call it an evening. 1052 00:59:00,200 --> 00:59:01,800 I'm still worried about that ten minutes 1053 00:59:02,000 --> 00:59:03,600 we've got open on Saturday. 1054 00:59:03,600 --> 00:59:05,000 - Goodnight. - Goodnight. 1055 00:59:05,000 --> 00:59:06,000 Goodnight. 1056 00:59:27,800 --> 00:59:30,200 Good evening, Thomas. Good evening, good evening. 1057 00:59:30,400 --> 00:59:32,800 Come in, my fellow troupers. Come in, come in. 1058 00:59:32,800 --> 00:59:35,400 - Orlando. - Yes. Orlando. 1059 00:59:35,400 --> 00:59:37,400 Well, my darling, I'm glad to see you. 1060 00:59:37,600 --> 00:59:40,600 I'll tell you all about the tour a little bit later. 1061 00:59:40,600 --> 00:59:44,000 Gwen, my darling. And Ernest, I'm so glad to see you both. 1062 00:59:44,200 --> 00:59:45,200 You're looking.. 1063 00:59:45,200 --> 00:59:47,800 I beg your pardon. Oh, uh, Miss Kay. 1064 00:59:48,600 --> 00:59:50,400 Oh, Miss Kay. Miss Kay! 1065 00:59:50,600 --> 00:59:54,400 Oh, Miss Kay. Miss Kay, you're looking wonderfully well. 1066 00:59:54,400 --> 00:59:56,800 But I say, you always were a gorgeous creature. 1067 00:59:57,000 --> 00:59:59,400 I wonder, if you'd mind paying these good fellows 1068 00:59:59,400 --> 01:00:01,600 and give them each a little something extra. 1069 01:00:01,600 --> 01:00:04,800 They've driven us faithfully all the way from Bridgeport. 1070 01:00:05,000 --> 01:00:08,800 Here are the principal ladies and gentlemen of my company. 1071 01:00:09,000 --> 01:00:12,400 I've asked them to be our guest until we take to the road again. 1072 01:00:12,400 --> 01:00:15,400 There's plenty of room. I won't take no for an answer. 1073 01:00:15,400 --> 01:00:17,600 After all, I can always double up with Ernest. 1074 01:00:17,600 --> 01:00:20,000 I don't mind roughing it for a few weeks. 1075 01:00:20,000 --> 01:00:22,400 Now, go into the dining room and refresh yourselves. 1076 01:00:22,600 --> 01:00:26,000 I will join you just as soon as I discuss a little business 1077 01:00:26,200 --> 01:00:27,200 with my nephew, yes. 1078 01:00:27,400 --> 01:00:29,400 Oh, Gwen and Ernest! 1079 01:00:29,400 --> 01:00:31,800 Well, you don't know how good it is to see you. 1080 01:00:32,000 --> 01:00:34,800 You're, uh, you're surprised to see me back no doubt, eh? 1081 01:00:34,800 --> 01:00:37,800 No surprise for me. I knew that flopperoo would fold. 1082 01:00:37,800 --> 01:00:41,000 What? Well, as soon as we get more, er, that is.. 1083 01:00:41,000 --> 01:00:44,600 As soon as we resume our tour with more, uh, with more, uh.. 1084 01:00:44,600 --> 01:00:47,600 new scenery and costumes, well, I think we shall have a hit. 1085 01:00:47,800 --> 01:00:50,800 How long do you think it will take your, um.. 1086 01:00:50,800 --> 01:00:53,200 ...your troop to start touring again? 1087 01:00:53,200 --> 01:00:55,000 As soon as the financial arrangements 1088 01:00:55,000 --> 01:00:56,600 have been...completed. 1089 01:00:56,600 --> 01:00:59,800 - I'll write you a check now! - Splendid, my boy! 1090 01:00:59,800 --> 01:01:03,000 But, Gwen, surely Orlando has had his chance. 1091 01:01:03,000 --> 01:01:05,200 Now if I were to revive Dolly Varden-- 1092 01:01:05,200 --> 01:01:08,400 I'll make another farewell tour in "The Count of Luxembourg." 1093 01:01:08,400 --> 01:01:10,600 Really, this is too much. 1094 01:01:10,600 --> 01:01:12,400 Do you thinkyou could draw audiences 1095 01:01:12,400 --> 01:01:14,800 when they've slighted my brother Orlando Lane 1096 01:01:14,800 --> 01:01:17,400 a member of the first family of the musical stage? 1097 01:01:17,400 --> 01:01:19,600 "First family." 1098 01:01:19,600 --> 01:01:21,800 That's really rather amusing, isn't it, Augustus? 1099 01:01:21,800 --> 01:01:24,000 Since the days of Lotta Marlowe, we Marlowes 1100 01:01:24,000 --> 01:01:26,200 have been the first family of the musical stage. 1101 01:01:26,200 --> 01:01:29,800 The Lanes have been pre-eminent in the field since Robert Lane! 1102 01:01:29,800 --> 01:01:32,000 But there's no use arguing about it, everybody knows 1103 01:01:32,000 --> 01:01:34,600 the Marlowes are the first family of the musical stage. 1104 01:01:34,600 --> 01:01:37,000 The Lanes have been, and always will be 1105 01:01:37,000 --> 01:01:38,400 the first family of the theater. 1106 01:01:38,600 --> 01:01:41,200 Stop it! Stop it! Stop it! 1107 01:01:41,200 --> 01:01:43,400 I can't stand all this any longer! 1108 01:01:44,400 --> 01:01:46,400 I've got to have quiet. 1109 01:01:46,600 --> 01:01:49,200 I need a life of my own and I'll have it! 1110 01:01:49,200 --> 01:01:52,600 Ernest and I know where we can get it, and we'll get it! 1111 01:01:52,600 --> 01:01:54,400 You can stay here and argue about 1112 01:01:54,600 --> 01:01:56,400 who's the first family of the theater! 1113 01:01:56,400 --> 01:01:59,400 We're going to be the last family of Hollywood! 1114 01:02:00,800 --> 01:02:02,600 Oh, dear, be careful! 1115 01:02:02,600 --> 01:02:05,400 Why? Am I going to fall down again? 1116 01:02:05,400 --> 01:02:07,400 Darling! Darling! 1117 01:02:07,600 --> 01:02:10,600 - Darling, we've gotta get out! - Thank you very much. Goodbye. 1118 01:02:10,600 --> 01:02:13,400 Call that Mr. Trumpett and tell him we're coming to Hollywood. 1119 01:02:13,600 --> 01:02:15,200 - I just did. - You did? 1120 01:02:15,200 --> 01:02:17,400 - Yes. - Oh, darling, you're wonderful! 1121 01:02:17,400 --> 01:02:19,200 Now we'll go down and tell the family. 1122 01:02:19,400 --> 01:02:20,600 - I just did. - You did? 1123 01:02:20,800 --> 01:02:22,800 - Yes. - Darling, you're wonderful! 1124 01:02:24,000 --> 01:02:26,600 Marlowe and Lane have no idea of going to Hollywood. 1125 01:02:26,800 --> 01:02:30,400 If you print that, you'll ruin the reputation of your paper! 1126 01:02:30,600 --> 01:02:33,200 Yeah? No, there's absolutely nothing to it! 1127 01:02:33,200 --> 01:02:36,200 So you heard it, can I help it if those Hollywood clucks 1128 01:02:36,400 --> 01:02:38,600 start a lot of phony rumors? 1129 01:02:38,600 --> 01:02:40,800 Marlowe and Lane are not going to Hollywood! 1130 01:02:40,800 --> 01:02:43,200 What are you running, a newspaper or a dream book? 1131 01:02:43,200 --> 01:02:47,000 Wouldn't we be the first to hear it if they were going? 1132 01:02:47,200 --> 01:02:50,400 There's absolutely nothing in it! No truth in it! 1133 01:02:52,200 --> 01:02:54,400 I don't know anything about it, fellas. Absolutely! 1134 01:02:54,400 --> 01:02:57,400 There's no use denying it. It's all over town. Argh! 1135 01:02:57,600 --> 01:02:59,800 Don't act that way. We're still on our feet. 1136 01:02:59,800 --> 01:03:01,600 Felix isn't at their house for nothing. 1137 01:03:01,800 --> 01:03:05,600 Felix knows how to get around them. He'll change their minds. 1138 01:03:05,600 --> 01:03:07,200 Nothing to say. 1139 01:03:07,200 --> 01:03:10,200 - Nothing to say, nothing-- - Well? Well? Well? 1140 01:03:10,400 --> 01:03:12,800 Well, nobody can change their minds this time. 1141 01:03:12,800 --> 01:03:14,800 They're going to Hollywood, and they're-they're going! 1142 01:03:14,800 --> 01:03:17,200 - Didn't you talk to them? - Or reason with them? 1143 01:03:17,400 --> 01:03:19,600 Didn't you tell them you're a lonely old man? 1144 01:03:19,600 --> 01:03:21,600 Didn't you say you're a father to them? 1145 01:03:21,800 --> 01:03:23,600 Didn't you tell them they're your kiddies? 1146 01:03:23,600 --> 01:03:25,000 What did they say? 1147 01:03:25,000 --> 01:03:27,600 They said that they-they were going shopping! 1148 01:03:33,000 --> 01:03:35,600 Oh, I'll need dozens of these for Hollywood, Madam Valerie. 1149 01:03:35,800 --> 01:03:39,000 Isn't it stunning, Kay? It'll be wonderful in the garden. 1150 01:03:39,200 --> 01:03:42,000 - Ideal for plowing. - Oh, you keep out of this. 1151 01:03:42,000 --> 01:03:43,600 Show me hundreds of things, Madam Valerie. 1152 01:03:43,800 --> 01:03:46,000 Everything I'll need for Hollywood, for every hour. 1153 01:03:46,000 --> 01:03:49,000 Madame,do you think I should have extra skins added.. 1154 01:03:49,000 --> 01:03:50,800 I don't think so. 1155 01:03:50,800 --> 01:03:53,000 Oh, look at this. Isn't this adorable, Kay? 1156 01:03:53,000 --> 01:03:55,600 - Oh, that's lovely. - I love this color, don't you? 1157 01:04:42,800 --> 01:04:44,800 Madame.. 1158 01:04:44,800 --> 01:04:47,400 ...I'm so happy to see you. 1159 01:05:02,800 --> 01:05:05,200 - Do you like it? - That's stunning! 1160 01:05:05,200 --> 01:05:07,000 Beautiful! 1161 01:05:58,600 --> 01:06:00,600 Oh, that really is a knockout! 1162 01:06:00,800 --> 01:06:03,600 Oh! Kay, why don't you get something in the same shade? 1163 01:06:03,600 --> 01:06:05,200 It'd be stunning on you. 1164 01:06:05,400 --> 01:06:07,800 I've been a perfect pig all morning, Kay. 1165 01:06:07,800 --> 01:06:09,600 You should be ordering your things for Hollywood. 1166 01:06:09,600 --> 01:06:11,400 But I'm not going to Hollywood. 1167 01:06:11,400 --> 01:06:14,000 - What? You're not going? - No. 1168 01:06:14,200 --> 01:06:16,800 Oh, Kay, well, w-w-w-what do you mean you're not going? 1169 01:06:16,800 --> 01:06:19,800 When you go west of Hoboken, you gotta leave me behind. 1170 01:06:19,800 --> 01:06:22,600 Me and the Statue of Liberty, we stick where we are. 1171 01:06:22,800 --> 01:06:24,800 But what are we gonna do without you? 1172 01:06:24,800 --> 01:06:28,800 Oh, you'll do alright. It's much better if I stay where I belong. 1173 01:06:28,800 --> 01:06:32,000 Miss Marlowe! Miss Marlowe, Mr. Lane's on the telephone. 1174 01:06:32,000 --> 01:06:34,000 - I heard his voice. - Alright, thank you. 1175 01:06:34,200 --> 01:06:35,600 He doesn't want you, Miss Marlowe 1176 01:06:35,800 --> 01:06:37,600 it's Miss Jordan he wants. 1177 01:06:37,800 --> 01:06:39,400 He can't live without me. 1178 01:06:39,600 --> 01:06:42,200 Miss Jordan is a very lovely girl, is she not? 1179 01:06:42,200 --> 01:06:45,000 Oh, Kay? Ah, she's an angel. 1180 01:06:45,200 --> 01:06:46,600 She's stood us for six years. 1181 01:06:46,800 --> 01:06:49,000 I don't know what we'll do without her. 1182 01:06:49,000 --> 01:06:50,600 Particularly Ernest. 1183 01:06:52,200 --> 01:06:55,800 Oh, that's stunning.Madame, I simply must have that. 1184 01:06:55,800 --> 01:06:58,800 That's the same material of the suit I picked for Ernest. 1185 01:06:58,800 --> 01:07:01,000 When a man lets a woman choose his clothes 1186 01:07:01,000 --> 01:07:03,000 it's a sure sign he's in love with her. 1187 01:07:03,200 --> 01:07:06,400 Our boyfriend is stranded at Madison Avenue and 56th Street. 1188 01:07:06,400 --> 01:07:08,000 All he forgot was enough taxi fare 1189 01:07:08,200 --> 01:07:10,200 to get him to the Victor Recording Studio. 1190 01:07:10,200 --> 01:07:12,800 If you don't climb outta that and start for the broadcast 1191 01:07:13,000 --> 01:07:14,600 there won't be any "Sweethearts Hour." 1192 01:07:14,600 --> 01:07:17,800 The broadcast! I forgot about the radio. Get me out of this. 1193 01:07:18,000 --> 01:07:20,000 Get me out of this, quickly. 1194 01:07:26,800 --> 01:07:29,800 And so this week again, we bring to you the "Sweethearts Hour" 1195 01:07:29,800 --> 01:07:31,800 starring Gwen Marlowe and Ernest Lane 1196 01:07:31,800 --> 01:07:34,000 the sweethearts of "Sweethearts." 1197 01:07:34,200 --> 01:07:36,200 Their last appearance on the eastern networks 1198 01:07:36,400 --> 01:07:39,000 for soon the scene will shift to far-off Hollywood. 1199 01:07:39,200 --> 01:07:41,800 But we won't think about that now, indeed we won't. 1200 01:07:41,800 --> 01:07:43,600 We'll just listen to Miss Marlowe singing 1201 01:07:43,600 --> 01:07:45,000 Victor Herbert's "Badinage" 1202 01:07:45,200 --> 01:07:48,600 accompanied by our guest pianist, Mr. Dalies Frantz. 1203 01:07:48,800 --> 01:07:50,600 Miss Marlowe, Mr. Frantz. 1204 01:07:50,600 --> 01:07:52,200 How do you do? 1205 01:08:01,200 --> 01:08:05,600 There is magic in the melody upon a summer breeze 1206 01:08:05,600 --> 01:08:08,600 Warm and tender 1207 01:08:08,600 --> 01:08:12,000 All night long 1208 01:08:12,000 --> 01:08:16,600 And a nightingale is singing to the moonlight in the trees 1209 01:08:16,800 --> 01:08:20,000 Oh, the splendor 1210 01:08:20,000 --> 01:08:24,000 Of his song 1211 01:08:24,000 --> 01:08:29,200 There is music in the murmur of a rippling woodland stream 1212 01:08:29,200 --> 01:08:31,800 Gentle music 1213 01:08:32,000 --> 01:08:35,200 Softly played 1214 01:08:35,200 --> 01:08:39,400 All the loveliness and wonder of the spell the world's under 1215 01:08:39,400 --> 01:08:46,400 Seems to harmonize 1216 01:08:46,400 --> 01:08:49,600 Our summer 1217 01:08:49,600 --> 01:08:56,400 Serenade 1218 01:08:56,400 --> 01:09:02,200 And this young and yearning heart of mine 1219 01:09:02,400 --> 01:09:06,000 Is learning a glorious strain 1220 01:09:06,000 --> 01:09:11,800 In a song sublime of summer time returning 1221 01:09:16,200 --> 01:09:20,000 What beautiful music has once again 1222 01:09:20,000 --> 01:09:23,400 Revealed anew 1223 01:09:23,400 --> 01:09:26,800 The loveliness heaven has made 1224 01:09:26,800 --> 01:09:31,800 All the world is singing a summer 1225 01:09:32,000 --> 01:09:39,000 Serenade 1226 01:09:45,400 --> 01:09:48,200 Lovely music 1227 01:09:48,400 --> 01:09:51,200 Gently played 1228 01:09:55,400 --> 01:09:57,800 Lovely music 1229 01:09:58,000 --> 01:10:01,600 Heaven made 1230 01:10:13,000 --> 01:10:17,600 The stars, the moon, my heart's in tune 1231 01:10:23,000 --> 01:10:27,800 The whole world seems to harmonize with love 1232 01:10:28,000 --> 01:10:31,800 A summer 1233 01:10:31,800 --> 01:10:35,800 Serenade 1234 01:10:49,400 --> 01:10:52,800 Hearts are high when the band goes by 1235 01:10:52,800 --> 01:10:56,400 And we're marching on parade 1236 01:10:56,600 --> 01:11:00,200 With flags unfurled we will show the world 1237 01:11:00,400 --> 01:11:04,000 That our colors cannot fade 1238 01:11:04,200 --> 01:11:08,200 To the beat, beat, beat, of a million feet 1239 01:11:08,200 --> 01:11:11,800 And a tune by bugles played 1240 01:11:12,000 --> 01:11:14,000 Don't you run, run, run 1241 01:11:14,000 --> 01:11:16,000 Get your gun, gun, gun 1242 01:11:16,000 --> 01:11:19,600 And go marching on parade 1243 01:11:32,800 --> 01:11:34,800 There's a drum somewhere 1244 01:11:34,800 --> 01:11:37,000 There's a hum in the air 1245 01:11:37,000 --> 01:11:40,400 Hear the crowd start to cheer 1246 01:11:40,400 --> 01:11:44,200 There's a martial strain with a stirring refrain 1247 01:11:44,200 --> 01:11:48,200 Growing loud, drawing near 1248 01:11:48,200 --> 01:11:50,200 It's the stars 1249 01:11:56,000 --> 01:11:58,400 And the stripes 1250 01:11:58,400 --> 01:12:00,400 On parade, we're on parade 1251 01:12:00,600 --> 01:12:04,000 Come on 1252 01:12:04,000 --> 01:12:05,400 Come on 1253 01:12:05,400 --> 01:12:08,400 We're on parade 1254 01:12:08,400 --> 01:12:11,000 Marching on 1255 01:12:15,600 --> 01:12:17,000 Marching on to glory 1256 01:12:17,000 --> 01:12:20,400 We will show the world 1257 01:12:20,400 --> 01:12:24,000 That our colors cannot fade 1258 01:12:24,200 --> 01:12:26,200 To the beat, beat, beat 1259 01:12:26,200 --> 01:12:28,200 Of a million feet 1260 01:12:28,200 --> 01:12:31,000 And a tune the bugles played 1261 01:12:31,000 --> 01:12:33,800 March along and don't you run, run, run 1262 01:12:33,800 --> 01:12:35,800 Get your gun, gun, gun 1263 01:12:36,000 --> 01:12:37,800 And go marching on 1264 01:12:37,800 --> 01:12:40,200 Go marching on 1265 01:12:40,200 --> 01:12:45,800 Go marching on parade 1266 01:12:55,000 --> 01:12:58,200 He's wonderful, if he can only keep it up till we get there. 1267 01:12:58,200 --> 01:13:00,000 Can't you drive any faster, buddy? 1268 01:13:00,000 --> 01:13:02,800 I'm going faster than I can go right now. 1269 01:13:07,000 --> 01:13:08,800 Heavens! They must have called out the militia. 1270 01:13:09,000 --> 01:13:11,800 Step on it, driver, the radio company will pay your fine. 1271 01:13:11,800 --> 01:13:13,800 And I'll do your jail sentence for you. 1272 01:13:13,800 --> 01:13:15,400 It'll be a pleasure. 1273 01:13:48,200 --> 01:13:52,200 For every lover 1274 01:13:52,200 --> 01:13:56,800 Must meet his fate 1275 01:13:57,000 --> 01:14:01,800 And for this hour 1276 01:14:02,000 --> 01:14:06,200 My heart did wait 1277 01:14:07,800 --> 01:14:10,800 There is no other 1278 01:14:11,000 --> 01:14:14,600 No love so great 1279 01:14:14,600 --> 01:14:19,200 Beloved, we are sweethearts 1280 01:14:19,200 --> 01:14:24,400 Blessed by fate 1281 01:14:28,400 --> 01:14:32,400 Sweetheart 1282 01:14:32,400 --> 01:14:37,200 Sweetheart, my true heart is yours 1283 01:14:39,600 --> 01:14:45,000 Sweetheart, today will never fade 1284 01:14:45,000 --> 01:14:49,200 Like an eternal serenade 1285 01:14:49,200 --> 01:14:53,800 Our love will end 1286 01:14:53,800 --> 01:14:56,200 The way it starts 1287 01:14:56,200 --> 01:15:01,800 Forever we'll be 1288 01:15:01,800 --> 01:15:07,400 Sweethearts 1289 01:15:22,000 --> 01:15:24,600 Well, that's the end of "Sweethearts." 1290 01:15:24,600 --> 01:15:27,400 - What will become of me? - You'll have to go to work. 1291 01:15:27,600 --> 01:15:31,200 - That will be new experience-- - Silence, you piano-thumper. 1292 01:15:31,200 --> 01:15:33,600 I do not see you, you ghost of a ghost-writer. 1293 01:15:33,600 --> 01:15:35,800 Lay off it, boys. We got enough trouble. 1294 01:15:36,000 --> 01:15:38,400 But my kiddies won't like Hollywood. 1295 01:15:38,400 --> 01:15:41,600 I know they won't like it. They only think they'll like it. 1296 01:15:41,600 --> 01:15:45,000 They are New Yorkers. This is where they belong. 1297 01:15:46,800 --> 01:15:48,200 Look at those crowds. 1298 01:15:48,400 --> 01:15:51,000 Gwen and Earnest won't have any of that in Hollywood. 1299 01:15:51,000 --> 01:15:52,200 They can't live without that. 1300 01:15:52,200 --> 01:15:54,000 They can't breathe any air but Broadway. 1301 01:15:54,200 --> 01:15:55,600 They've never known anything else 1302 01:15:55,600 --> 01:15:57,400 They'll die of home-sickness in three months. 1303 01:15:57,400 --> 01:16:00,000 - In less than three months. - That's right, in three weeks. 1304 01:16:00,200 --> 01:16:02,000 They won't stand it that long. 1305 01:16:02,000 --> 01:16:03,600 They can't stand it, of course not. 1306 01:16:03,800 --> 01:16:06,600 They can't be away from New York for three days, three hours. 1307 01:16:06,600 --> 01:16:09,400 I'll bet they'll get right off the train and come back. 1308 01:16:09,600 --> 01:16:11,400 - Of course they will. - They will? 1309 01:16:11,400 --> 01:16:14,400 - Then why are we worrying? - I am not. 1310 01:16:14,400 --> 01:16:17,400 Ha, I knew everything would work out alright. 1311 01:16:17,400 --> 01:16:19,600 I knew my kiddies wouldn't leave me for long. 1312 01:16:19,600 --> 01:16:23,400 Have you ever seen one of those Hollywood contracts, Mr. Lehman? 1313 01:16:23,400 --> 01:16:25,800 Like that. 1314 01:16:25,800 --> 01:16:28,600 They aren't for any three months, they're for seven years. 1315 01:16:28,600 --> 01:16:30,200 - Seven years? Seven? - Seven. 1316 01:16:30,200 --> 01:16:32,400 But that Trumpett ought to be ashamed of himself. 1317 01:16:32,600 --> 01:16:35,000 I'll never speak to him again, that's what I'll do. 1318 01:16:35,000 --> 01:16:37,200 Mr. Trumpett on the telephone for you, Mr. Lehman. 1319 01:16:37,200 --> 01:16:40,400 Trumpett, I'll, I'll talk to him right here. 1320 01:16:47,200 --> 01:16:50,600 Hello, Mr. Trumpett. Ha ha, hello.. 1321 01:16:54,200 --> 01:16:56,800 Hello, Mr. Trumpett. 1322 01:16:56,800 --> 01:16:59,000 Oh, yes, I'm fine, thank you. 1323 01:17:00,000 --> 01:17:02,000 I'm feeling wonderful. 1324 01:17:04,200 --> 01:17:06,400 Well, Felix, old man. 1325 01:17:08,200 --> 01:17:10,200 Our stars certainly distinguished themselves 1326 01:17:10,400 --> 01:17:11,800 in the broadcast, didn't they? 1327 01:17:11,800 --> 01:17:14,800 Well, did you just call me up to tell me that? 1328 01:17:14,800 --> 01:17:17,800 Oh,Pas du tout,Felix old boy,pas du tout. 1329 01:17:17,800 --> 01:17:20,000 Now that you won't need "Sweethearts" 1330 01:17:20,200 --> 01:17:22,800 I think I can persuade Mr. Silver to buy it. 1331 01:17:24,400 --> 01:17:27,600 Oh, now, now, now, Felix, doucement, doucement. 1332 01:17:27,600 --> 01:17:29,400 No need to feel that way about it. 1333 01:17:29,600 --> 01:17:31,200 After all, Mr. Silver is behaving 1334 01:17:31,200 --> 01:17:32,800 in a very generous manner. 1335 01:17:32,800 --> 01:17:34,600 He's willing to let you keep "Sweethearts" running 1336 01:17:34,800 --> 01:17:37,200 all next week, while they prepare the contracts. 1337 01:17:37,200 --> 01:17:38,400 Well, that's, that's.. 1338 01:17:38,600 --> 01:17:41,200 Well, you know these joint contracts. 1339 01:17:43,400 --> 01:17:46,200 That of course is the penalty of signing up a team 1340 01:17:46,200 --> 01:17:48,200 for a number of years. 1341 01:17:51,400 --> 01:17:53,400 Yes, as the French say 1342 01:17:53,600 --> 01:17:55,800 Beaucoup de peine, beaucoup de travaille. 1343 01:17:55,800 --> 01:17:58,600 Yeah,beaucoup de horsefeathers! 1344 01:17:58,600 --> 01:18:01,800 Joint contract. Signing my kiddies for a number of years. 1345 01:18:02,000 --> 01:18:04,400 - Why, it's a lifetime. - Not signed yet, Mr. Lehman. 1346 01:18:04,400 --> 01:18:06,200 The contracts are still being drawn up. 1347 01:18:06,200 --> 01:18:08,400 Yes, but it's just as good as signed. 1348 01:18:08,400 --> 01:18:11,200 Oh, the finest team any producer ever had. 1349 01:18:11,200 --> 01:18:12,800 That's why Hollywood wants them. 1350 01:18:12,800 --> 01:18:14,400 "Hollywood wants them." 1351 01:18:14,400 --> 01:18:17,600 But would Hollywood want them if.. 1352 01:18:17,600 --> 01:18:19,400 Suppose they were not a team. 1353 01:18:19,400 --> 01:18:21,800 Ha ha, suppose they couldn't sing either. 1354 01:18:21,800 --> 01:18:24,000 Suppose they were separated. 1355 01:18:24,000 --> 01:18:25,400 We might have some chance. 1356 01:18:25,400 --> 01:18:27,200 How are you gonna separate two people 1357 01:18:27,200 --> 01:18:29,400 as much in love as Marlowe and Lane? 1358 01:18:29,400 --> 01:18:33,000 That's the catch. But my play, my great unproduced drama. 1359 01:18:33,200 --> 01:18:35,000 It cannot be wrong. 1360 01:18:35,000 --> 01:18:37,400 It is founded on a universal truth. 1361 01:18:37,400 --> 01:18:42,000 A woman in love can always be made to believe she has a rival. 1362 01:18:42,000 --> 01:18:44,600 Universal truths do not lie. 1363 01:18:44,600 --> 01:18:47,200 Marlowe and Lane are really so much in love still? 1364 01:18:47,200 --> 01:18:49,000 Well, what would you say? 1365 01:18:49,000 --> 01:18:52,200 Any man who slides notes under his wife's door all the time 1366 01:18:52,200 --> 01:18:54,800 Notes? What do they say, these notes? 1367 01:18:55,000 --> 01:18:57,000 I don't know. They are love letters, I suppose. 1368 01:18:57,000 --> 01:19:00,200 She keeps them locked in their dressing room, keeps every one. 1369 01:19:00,200 --> 01:19:02,200 'That's how much in love they are.' 1370 01:19:02,200 --> 01:19:06,600 Notes. All those notes. 1371 01:19:06,600 --> 01:19:09,400 My friends, the day is saved. 1372 01:19:09,400 --> 01:19:12,400 Marlowe and Lane do not go to Hollywood. 1373 01:19:26,800 --> 01:19:31,400 But Brunhilde, darling, you've got to get used to it. 1374 01:19:31,400 --> 01:19:35,200 Oh, alright, alright. Then, have it your own way, come on. 1375 01:19:35,200 --> 01:19:38,400 But you'll be sorry when you get on that plane tomorrow. 1376 01:19:38,400 --> 01:19:41,000 Tomorrow. Oh, dear, tomorrow! 1377 01:19:41,000 --> 01:19:44,000 I don't know what your grandmother would think. 1378 01:19:44,200 --> 01:19:45,600 Oh, she'd probably love it. 1379 01:19:45,800 --> 01:19:48,600 Don't pack that, Hannah. That's the one like Ernest's new suit. 1380 01:19:48,600 --> 01:19:50,800 I'm gonna wear it on the train to surprise him. 1381 01:19:50,800 --> 01:19:53,800 We'll have enough surprises when we get to that woolly west. 1382 01:19:53,800 --> 01:19:56,200 Oh, Hannah, you're gonna love it. 1383 01:19:56,200 --> 01:19:57,600 Hey, what do you think? 1384 01:19:57,800 --> 01:20:00,000 Uncle Orlando's knocking them cold this time. 1385 01:20:00,200 --> 01:20:03,400 See, "Veteran's second try clicks in sticks. 1386 01:20:03,600 --> 01:20:05,200 "Pirates repeat tour socko. 1387 01:20:05,400 --> 01:20:07,800 Lane's Penzance grabs smash biz." 1388 01:20:07,800 --> 01:20:11,000 There, I knew it. Talent always wins. 1389 01:20:11,200 --> 01:20:13,400 - Isn't that nice for Orlando? - Yes. wonderful. 1390 01:20:13,600 --> 01:20:16,000 No doubt, he'll bring the production into New York now. 1391 01:20:16,000 --> 01:20:18,400 That's what he should've done in the first place. 1392 01:20:18,400 --> 01:20:21,400 Why anybody who wants to leave New York is more than.. 1393 01:20:21,400 --> 01:20:25,400 Yes, oh, indeed. 1394 01:20:27,400 --> 01:20:29,200 Falstaff shame on you crying like a sissy. 1395 01:20:29,200 --> 01:20:32,200 He don't like the idea of going to California, Miss Gwen. 1396 01:20:32,400 --> 01:20:34,400 Maybe he'll like it after he gets out there. 1397 01:20:34,400 --> 01:20:35,600 Mr. Lane's gone out? 1398 01:20:35,600 --> 01:20:37,800 No, ma'am, he's in Miss Kay's room. 1399 01:20:37,800 --> 01:20:39,600 Oh, I'll get him. Thank you. 1400 01:20:42,200 --> 01:20:44,800 Send that to them like a good girl, will you? 1401 01:20:44,800 --> 01:20:46,000 - Hi, Mrs. Lane. - Hi kids. 1402 01:20:46,200 --> 01:20:49,400 Why don't you get out of the habit of working? It's bad. 1403 01:20:49,600 --> 01:20:50,800 We'd love too. All packed? 1404 01:20:51,000 --> 01:20:52,600 They'll be calling for your trunks. 1405 01:20:52,800 --> 01:20:55,200 Well, I keep trying but nothing seems to get accomplished. 1406 01:20:55,200 --> 01:20:57,400 Let's try together, maybe we'll have better luck. 1407 01:20:57,400 --> 01:20:59,400 You've got to get dressed, so have I. 1408 01:20:59,600 --> 01:21:01,800 We've got those two thousands last errands to do. 1409 01:21:01,800 --> 01:21:03,800 Meet you downstairs, fully-clothed in 10 minutes. 1410 01:21:04,000 --> 01:21:05,800 You'll recognize him, he'll wear a carnation 1411 01:21:05,800 --> 01:21:08,000 and carry a bass drum, come on, you. 1412 01:21:10,400 --> 01:21:13,400 Oh, look at this room. 1413 01:21:13,600 --> 01:21:15,400 Hey, I gotta wear one of those. 1414 01:21:17,000 --> 01:21:20,400 Brother and his scales again. Hmm, listen to that concerto. 1415 01:21:33,200 --> 01:21:37,000 Won't it be fun when we unpack in our own little home? 1416 01:21:37,000 --> 01:21:42,000 When the golden sun sinks in the west 1417 01:21:42,000 --> 01:21:47,600 And the toil of a long day is o'er 1418 01:21:47,600 --> 01:21:50,800 Though the rod may be long 1419 01:21:50,800 --> 01:21:53,800 In the lilt of a song 1420 01:21:53,800 --> 01:22:00,000 We'll forget we were weary before 1421 01:22:00,000 --> 01:22:04,800 Far ahead where the blue shadows fall 1422 01:22:04,800 --> 01:22:10,000 We shall come to contentment and rest 1423 01:22:10,000 --> 01:22:16,600 And the toil of the day And the toil of the day 1424 01:22:18,400 --> 01:22:24,200 We'll be all charmed away We'll be all charmed away 1425 01:22:24,200 --> 01:22:27,600 In our little grey In our little grey 1426 01:22:27,800 --> 01:22:33,400 Home of the west Home of the west 1427 01:22:42,800 --> 01:22:48,000 There are hands that will welcome me in 1428 01:22:48,200 --> 01:22:54,000 There are lips I am burning to kiss 1429 01:22:54,000 --> 01:22:57,400 There are two eyes that shine 1430 01:22:57,600 --> 01:23:01,600 Just because they are mine 1431 01:23:01,600 --> 01:23:07,600 And a thousand things other men miss 1432 01:23:07,800 --> 01:23:12,600 It's a corner of heaven itself 1433 01:23:12,600 --> 01:23:18,800 Tho' it's only a tumble down nest 1434 01:23:19,000 --> 01:23:23,000 But But 1435 01:23:23,000 --> 01:23:28,600 With love brooding there With love brooding there 1436 01:23:28,600 --> 01:23:35,400 Why no place can compare Why no place can compare 1437 01:23:35,400 --> 01:23:41,200 With our little grey home With our little grey home 1438 01:23:41,200 --> 01:23:47,200 In the In the 1439 01:23:47,400 --> 01:23:50,600 West West 1440 01:24:02,800 --> 01:24:04,800 There goes the trunks. Looks pretty final now. 1441 01:24:04,800 --> 01:24:07,000 Don't fear, the trunks may go, the owners will stay. 1442 01:24:07,200 --> 01:24:09,400 The universal truth in my play, cannot be wrong. 1443 01:24:09,400 --> 01:24:13,200 I guess anything's worth trying now, even that. Good Luck. 1444 01:24:13,200 --> 01:24:17,000 I don't need good luck, nothing can stop me now. 1445 01:24:17,200 --> 01:24:19,400 - Mr. Kronk's here to see you. - Oh, Leo. 1446 01:24:19,400 --> 01:24:20,800 He say's it's important. 1447 01:24:21,000 --> 01:24:23,600 It's probably 'bout himself, tell him, I can't see him. 1448 01:24:23,800 --> 01:24:26,400 My dear, couldn't keep you waiting, I came right up. 1449 01:24:26,400 --> 01:24:27,800 Hello, Leo. How are you? 1450 01:24:28,000 --> 01:24:29,400 Cast down by your departure 1451 01:24:29,400 --> 01:24:32,400 but rising again on the wings of this, my great play. 1452 01:24:32,600 --> 01:24:34,400 Ah-ha, that's very nice. You've written a play. 1453 01:24:34,400 --> 01:24:37,400 I've written a magnificent play, and I'm gonna read it to you. 1454 01:24:37,600 --> 01:24:41,000 No, oh, no, Leo, I'm sure it's a lovely play and all that. 1455 01:24:41,000 --> 01:24:44,800 But I really haven't got time to listen, I'm packing. 1456 01:24:44,800 --> 01:24:48,000 And we have a performance to do tonight, you know. 1457 01:24:48,000 --> 01:24:50,400 The contracts to sign, and I'm sure you'll understand. 1458 01:24:50,400 --> 01:24:52,000 This play was written just for you. 1459 01:24:52,200 --> 01:24:56,200 It requires a great emotional actress to play this part. 1460 01:24:56,200 --> 01:24:58,800 Why, your role has everything, from gayest comedy 1461 01:24:58,800 --> 01:25:00,800 to deepest of tragedy. 1462 01:25:01,000 --> 01:25:03,200 What a motion picture it could be. 1463 01:25:03,400 --> 01:25:05,200 You'd be another Garbo. 1464 01:25:05,200 --> 01:25:09,600 - Oh, oh, Leo. - Act one, scene one. 1465 01:25:09,800 --> 01:25:12,200 "The drawing room of a country house in Long Island. 1466 01:25:12,200 --> 01:25:13,800 It's one of those, is it? 1467 01:25:13,800 --> 01:25:16,400 "You're lying on a sofa in a ravishing tea gown. 1468 01:25:16,400 --> 01:25:18,200 Yes, yes. 1469 01:25:18,200 --> 01:25:19,800 "Your husband enters and he says.. 1470 01:25:19,800 --> 01:25:21,400 "Hello, my beautiful one." 1471 01:25:21,400 --> 01:25:22,400 And you say 1472 01:25:22,400 --> 01:25:23,600 "Hello, Cyril." 1473 01:25:23,600 --> 01:25:25,000 And he says.. 1474 01:25:25,000 --> 01:25:28,000 "As you know we've been married a long time." 1475 01:25:28,000 --> 01:25:29,800 And you say, "Does it seem lo.." 1476 01:25:30,000 --> 01:25:32,200 "Does it seem long to you?" 1477 01:25:32,200 --> 01:25:33,200 And he says.. 1478 01:25:33,400 --> 01:25:36,400 "Six years with you are like six minutes." 1479 01:25:36,400 --> 01:25:39,800 'Six minutes without you are like six years."' 1480 01:25:39,800 --> 01:25:42,800 'There's a little intimate business, he kisses your hand.' 1481 01:25:42,800 --> 01:25:45,200 'We shan't go into that now, and then he says.. 1482 01:25:45,200 --> 01:25:46,800 What did he say? 1483 01:25:47,000 --> 01:25:49,000 "Six years with you are like six minutes. 1484 01:25:49,000 --> 01:25:51,400 Six minutes without you are like six years." 1485 01:25:51,400 --> 01:25:53,400 Charming, isn't it? 1486 01:25:53,400 --> 01:25:57,000 Yes. Did you make it up? 1487 01:25:57,000 --> 01:25:59,200 No, not exactly, and then you say, "Oh--" 1488 01:25:59,200 --> 01:26:02,400 I'm very curious about this line of yours. 1489 01:26:02,600 --> 01:26:05,600 You see, it's sort of special, if you know what I mean. 1490 01:26:05,600 --> 01:26:07,000 It is special. 1491 01:26:07,000 --> 01:26:09,800 See it was written by a man very much in love. 1492 01:26:10,000 --> 01:26:12,600 - And I put it in my play. - Who is he? 1493 01:26:12,600 --> 01:26:14,600 I only know the lady in the case 1494 01:26:14,800 --> 01:26:16,600 and I can't betray her confidence. 1495 01:26:16,600 --> 01:26:21,200 You see, the man I understand is married. 1496 01:26:21,200 --> 01:26:22,400 Married. 1497 01:26:22,400 --> 01:26:25,400 Yes, it's one of those very sad stories. 1498 01:26:25,400 --> 01:26:27,600 He's been in love with this girl for years. 1499 01:26:27,600 --> 01:26:29,600 The wife, of course, knows nothing about it. 1500 01:26:29,800 --> 01:26:32,000 And then he say's, "Darling--" 1501 01:26:32,000 --> 01:26:34,200 The wife you say, knows nothing about it. 1502 01:26:34,400 --> 01:26:37,000 No nothing. Though it goes on right under her nose. 1503 01:26:37,000 --> 01:26:38,800 But that's the way in these cases. 1504 01:26:39,000 --> 01:26:41,600 The wife is always the last one to find out. 1505 01:26:41,600 --> 01:26:43,000 And then you say-- 1506 01:26:43,000 --> 01:26:48,200 This uh, this uh, girl, did she show you any more notes? 1507 01:26:48,400 --> 01:26:50,800 Oh, yes, yes. She has hundreds. 1508 01:26:50,800 --> 01:26:53,200 You see, he writes everyday one note. 1509 01:26:53,400 --> 01:26:56,000 True love, isn't it? 1510 01:26:56,000 --> 01:27:00,000 Yes. Yes. Must be. 1511 01:27:00,200 --> 01:27:02,200 Well, I selected only the most intimate ones 1512 01:27:02,200 --> 01:27:04,800 and put 'em in my play, they're all through it. 1513 01:27:05,000 --> 01:27:08,200 Here is one for instance. Nice little one. 1514 01:27:08,200 --> 01:27:10,400 "If you ever want the moon my darling 1515 01:27:10,600 --> 01:27:12,200 let me fetch it for you." 1516 01:27:12,400 --> 01:27:14,600 And here is another one. 1517 01:27:14,600 --> 01:27:16,200 "All the worlds asleep--" 1518 01:27:16,200 --> 01:27:18,400 Stop, stop, Leo. 1519 01:27:18,400 --> 01:27:21,000 I can't. I won't be able to listen to anymore. 1520 01:27:21,200 --> 01:27:23,000 - I scarcely started-- - Yes, I know. 1521 01:27:23,000 --> 01:27:25,400 Well, you see, I've got my packing and everything to do. 1522 01:27:25,600 --> 01:27:29,000 I really won't have time, and I'm sure it's a lovely play. 1523 01:27:29,000 --> 01:27:32,200 I understand it's a day of confusion. You're very gracious. 1524 01:27:32,200 --> 01:27:35,200 - I'll dedicate my play to you. - Thank you, thank you so much. 1525 01:29:03,000 --> 01:29:04,400 Yes? 1526 01:29:04,400 --> 01:29:07,600 Excuse me, I was told to bring this right up. 1527 01:29:07,600 --> 01:29:09,000 It's Mr. Lane's new suite. 1528 01:29:09,200 --> 01:29:12,200 Oh, yes. Put it in Mr. Lane's room, right next door. 1529 01:29:12,400 --> 01:29:14,000 - Right next door? - Eh? 1530 01:29:14,200 --> 01:29:15,800 Oh, nothing, nothing. 1531 01:29:16,000 --> 01:29:18,000 Why, that's not the suit I picked out. 1532 01:29:18,000 --> 01:29:20,000 - Oh, you mean the plaid one? - Yes. 1533 01:29:20,000 --> 01:29:23,200 Miss Jordan cancelled that, and picked out this one for him. 1534 01:29:23,200 --> 01:29:25,600 Oh, never mind I'll take it. Thank you. 1535 01:29:25,600 --> 01:29:27,000 Thank you so much. 1536 01:29:28,200 --> 01:29:31,000 Miss Jordan picked it out for him. 1537 01:29:31,200 --> 01:29:34,200 Miss Jordan picked it out for him, did she? 1538 01:29:36,000 --> 01:29:40,800 Oh, Miss Jordan picked it out for him, did she? 1539 01:29:45,800 --> 01:29:47,200 That'll fix her. 1540 01:30:18,400 --> 01:30:20,200 Darling, I've got some wonderful news. 1541 01:30:20,200 --> 01:30:23,400 I persuaded Kay to go Hollywood with us. 1542 01:30:23,400 --> 01:30:24,800 Aren't you surprised she's going? 1543 01:30:25,000 --> 01:30:27,000 No, not now. 1544 01:30:27,000 --> 01:30:29,000 It'll be wonderful having her there, won't it? 1545 01:30:29,000 --> 01:30:31,000 Yes, it'll be very nice for you. 1546 01:30:31,000 --> 01:30:32,800 Excuse me now, I'm busy. 1547 01:30:32,800 --> 01:30:36,400 - What's the matter, darling? - Nothing, I'm quite alright. 1548 01:30:36,600 --> 01:30:39,800 - Can't I help you? - No, I'm alright, I tell you! 1549 01:30:40,000 --> 01:30:42,800 Oh, gee, you've had a tough day packing. 1550 01:30:43,000 --> 01:30:47,000 Well, if you want me for anything, I'll be in here. 1551 01:31:17,600 --> 01:31:19,000 Kay Jordan. 1552 01:32:14,800 --> 01:32:17,400 Come in! 1553 01:32:17,400 --> 01:32:18,400 I know, I know. 1554 01:32:18,400 --> 01:32:20,400 I'll call the jewelers in the morning 1555 01:32:20,400 --> 01:32:22,200 and have this engraved on the vanity case. 1556 01:32:22,200 --> 01:32:24,200 - Think she'll like it? - You picked a beauty. 1557 01:32:24,400 --> 01:32:27,800 - Gwen will love it. - 'I think so too.' 1558 01:32:27,800 --> 01:32:30,200 - Say, is anything on fire? - I don't think so. 1559 01:32:30,400 --> 01:32:33,600 Well, something in this house is certainly burning up. 1560 01:32:42,600 --> 01:32:45,400 Oh, Ms. Gwen, won't you let me open it now? 1561 01:32:45,600 --> 01:32:47,000 No, Hannah, no. 1562 01:33:02,000 --> 01:33:05,200 No, Hannah! Leave it there. 1563 01:33:24,600 --> 01:33:27,400 Well, it's in the way there, certainly. 1564 01:34:06,200 --> 01:34:09,600 There! Maybe that will cut down his correspondence. 1565 01:34:38,600 --> 01:34:41,000 Where were you going? It isn't your cue. 1566 01:34:41,000 --> 01:34:42,600 Have you seen Gwen tonight? 1567 01:34:42,600 --> 01:34:45,600 Yes, I stopped at her dressing room for a second. Why? 1568 01:34:45,600 --> 01:34:46,800 What did she say? 1569 01:34:46,800 --> 01:34:49,600 She said you seemed to be so glad I was going 1570 01:34:49,800 --> 01:34:52,800 to Hollywood and she was sure I'd have a lovely time. Why? 1571 01:34:53,000 --> 01:34:55,400 She ran out of the house this afternoon and.. 1572 01:34:55,400 --> 01:34:57,400 ...came down, locked herself in her dressing room 1573 01:34:57,400 --> 01:34:59,600 hadn't spoken to me all during the performance 1574 01:34:59,600 --> 01:35:00,600 and now she.. 1575 01:35:00,800 --> 01:35:02,600 Do you suppose she's ill or something? 1576 01:35:02,600 --> 01:35:04,600 Of course not. She's probably just upset. 1577 01:35:04,800 --> 01:35:07,600 The last performance, and all the excitement and everything. 1578 01:35:07,800 --> 01:35:11,600 Leaving the stage and going to Hollywood is quite a move. 1579 01:35:11,600 --> 01:35:14,000 Yeah, I'm beginning to realize that. 1580 01:35:14,000 --> 01:35:15,800 Well, it's pretty late in the day. 1581 01:35:16,000 --> 01:35:17,800 Come here, come here. 1582 01:35:17,800 --> 01:35:20,400 Here comes Trumpett now with a complete set of lawyers. 1583 01:35:25,400 --> 01:35:26,600 Is that four lawyers? 1584 01:35:26,800 --> 01:35:28,800 Either that or one lawyer sub-divided. 1585 01:35:28,800 --> 01:35:31,800 You get out of the way before they cross examine you. 1586 01:35:42,400 --> 01:35:45,000 Hannah, I'll open that door. 1587 01:35:45,200 --> 01:35:47,600 I'll put a stop to this. 1588 01:35:50,200 --> 01:35:52,000 Well.. 1589 01:35:54,000 --> 01:35:55,800 Hello. 1590 01:35:55,800 --> 01:35:57,800 Ms. Marlowe, always kidding. 1591 01:35:58,000 --> 01:36:01,400 I can see by the look in your eyes that you're indeed in 1592 01:36:01,400 --> 01:36:02,400 for a pleasant night. 1593 01:36:02,600 --> 01:36:04,400 Allow me. Mr. Bogardus 1594 01:36:04,400 --> 01:36:05,600 - Hi. - How do you do? 1595 01:36:05,600 --> 01:36:07,600 And this is Mr. Bogardus. 1596 01:36:07,800 --> 01:36:10,600 - How do you do? - How do you do? 1597 01:36:10,600 --> 01:36:14,200 Of the firm of Bogardus and Bogardus. 1598 01:36:14,400 --> 01:36:17,200 This is Mr. Butterfield. 1599 01:36:17,200 --> 01:36:18,600 And Mr. Butterfield 1600 01:36:18,600 --> 01:36:21,000 of the firm of Butterfield and Butterfield. 1601 01:36:21,200 --> 01:36:22,200 The firms amalgamated.. 1602 01:36:22,200 --> 01:36:23,800 Oh yes, I'm sorry. I forgot. 1603 01:36:23,800 --> 01:36:26,600 The firms amalgamated this afternoon. 1604 01:36:26,600 --> 01:36:29,400 Mr. Bogardus, Mr. Butterfield, Mr. Butterfield, Mr. Bogardus. 1605 01:36:29,400 --> 01:36:32,800 Butterfield, Bogardus, Butterfield, Bogardus. 1606 01:36:32,800 --> 01:36:35,200 We had a certain amount of difficulty in preparing these 1607 01:36:35,200 --> 01:36:38,400 but you and Mr. Lane will find them worthy of your autographs. 1608 01:36:38,600 --> 01:36:42,200 I'm sure Mr. Lane will find the contracts quite satisfactory. 1609 01:36:42,200 --> 01:36:43,800 And you also, Ms. Marlowe. 1610 01:36:43,800 --> 01:36:45,600 Don't forget that that's equally important, you know. 1611 01:36:45,800 --> 01:36:48,000 Me? Oh, I'm not going to Hollywood. 1612 01:36:48,000 --> 01:36:50,800 Uh, pull it down a little in the back, Hannah, please. 1613 01:36:51,000 --> 01:36:53,600 That charming sense of humor of yours, Ms. Marlowe. 1614 01:36:53,600 --> 01:36:55,000 They will enjoy it in Hollywood. 1615 01:36:55,000 --> 01:36:58,200 Oh, but didn't you understand? I said I'm not going. 1616 01:36:58,200 --> 01:37:00,400 Is the belt fastened, Hannah? 1617 01:37:00,600 --> 01:37:02,000 - You're not going? - No. 1618 01:37:02,200 --> 01:37:05,400 - But you and Mr. Lane-- - Mr. Lane is going, alright. 1619 01:37:05,600 --> 01:37:09,800 That uh, he is looking forward to it. 1620 01:37:09,800 --> 01:37:12,000 May I ask your reason for this? 1621 01:37:12,000 --> 01:37:14,400 Oh, no reason. I just changed my mind. That's all. 1622 01:37:14,600 --> 01:37:17,400 So, if you'll take the contracts into Mr. Lane's dressing room 1623 01:37:17,400 --> 01:37:19,600 I'm sure he'll be very happy to sign. 1624 01:37:19,600 --> 01:37:21,800 And he can leave for Hollywood right away. 1625 01:37:21,800 --> 01:37:25,800 But uh, I don't think you quite understand Ms. Marlowe. 1626 01:37:25,800 --> 01:37:29,000 You see uh, it's you and Mr. Lane as a team 1627 01:37:29,000 --> 01:37:31,000 that Mr. Silver visualises. 1628 01:37:31,000 --> 01:37:34,200 I'm sure Mr. Lane can get along very nicely without me. Thanks. 1629 01:37:34,400 --> 01:37:35,800 Certainly, won't be lonely. 1630 01:37:36,000 --> 01:37:38,600 But what am I to say to Mr. Silver? 1631 01:37:38,600 --> 01:37:41,600 How am I to uh.. Oh, Mr. Lane. 1632 01:37:41,600 --> 01:37:43,600 Wonder if you can do something about this. 1633 01:37:43,600 --> 01:37:46,200 Ms. Marlowe informs me that she's not going to Hollywood. 1634 01:37:46,400 --> 01:37:48,000 It's the first I've heard that. 1635 01:37:48,000 --> 01:37:49,400 What's the matter, Gwen? 1636 01:37:49,400 --> 01:37:51,600 Nothing. I've just changed my mind, that's all. 1637 01:37:51,600 --> 01:37:54,800 I figured there'll be less of a crowd without me. 1638 01:37:55,000 --> 01:37:56,000 What you talking about? 1639 01:37:56,000 --> 01:37:59,200 You're on in two minutes. 1640 01:37:59,200 --> 01:38:00,800 - I implore you. - Oh, really. 1641 01:38:01,000 --> 01:38:03,400 It's no use in discussing it any further. 1642 01:38:03,400 --> 01:38:05,600 I'm sorry if I've inconvenienced you. 1643 01:38:05,800 --> 01:38:08,800 And you and Mr. Bicardy and Mr. Buttercup 1644 01:38:08,800 --> 01:38:11,000 and Mr. Bicardy and Mr. Buttercup. 1645 01:38:11,000 --> 01:38:13,200 But, well, my mind's made up. That's all. 1646 01:38:13,200 --> 01:38:18,200 - Can't you possibly persuade-- - No! Definitely, he cannot. 1647 01:38:18,200 --> 01:38:20,000 Goodnight. Thank you. 1648 01:38:20,200 --> 01:38:21,800 Hannah will show you the way out. 1649 01:38:21,800 --> 01:38:24,800 Well, Mr. Silver's not gonna take this at all lightly. 1650 01:38:24,800 --> 01:38:26,400 Goodnight. 1651 01:38:26,400 --> 01:38:27,800 Goodnight, gentlemen. 1652 01:38:39,800 --> 01:38:42,600 Look, the retreat of Hollywood. My plan is working. 1653 01:38:42,600 --> 01:38:44,400 At last, a use for Leo. 1654 01:38:44,600 --> 01:38:47,000 I'm too happy to mention my contempt for you. 1655 01:38:47,000 --> 01:38:48,800 I laugh at you in violence. 1656 01:38:49,000 --> 01:38:51,000 Stop it. We got Marlowe and Lane practically 1657 01:38:51,000 --> 01:38:53,000 separated and you two are still crabbing. 1658 01:38:53,200 --> 01:38:54,200 Things look pretty good. 1659 01:38:54,200 --> 01:38:55,800 I don't like this. 1660 01:38:55,800 --> 01:38:58,800 I don't think it's nice to have them mad at each other. 1661 01:38:59,000 --> 01:39:00,400 I'm gonna-- 1662 01:39:00,400 --> 01:39:02,600 But can't you tell me what's the matter? 1663 01:39:02,600 --> 01:39:05,000 I told you I do not wish to discuss it. 1664 01:39:05,000 --> 01:39:06,800 For one, explain why you wrote this? 1665 01:39:06,800 --> 01:39:09,200 I should think the meaning was clear enough. 1666 01:39:09,200 --> 01:39:11,600 Are you sure you feel alright, dear? 1667 01:39:11,600 --> 01:39:15,000 Oh, really, this has gone too far. 1668 01:39:15,000 --> 01:39:16,800 You stand there and try to act innocent. 1669 01:39:16,800 --> 01:39:18,800 I know what kinda creature you are. 1670 01:39:18,800 --> 01:39:21,200 I saw you put that note under Kay's door. 1671 01:39:21,200 --> 01:39:24,200 That note I put under Kay.. 1672 01:39:24,200 --> 01:39:26,600 Oh, is that what this is all about? 1673 01:39:26,600 --> 01:39:27,800 But for the love of.. 1674 01:39:27,800 --> 01:39:31,200 - If you think-- - I don't think. I know! 1675 01:39:31,200 --> 01:39:33,400 I happened to read that love not to Kay. 1676 01:39:33,600 --> 01:39:35,000 That wasn't for Kay at all. 1677 01:39:35,000 --> 01:39:38,000 I suppose you put it under her door by mistake. 1678 01:39:38,000 --> 01:39:40,200 No, it wasn't by mistake. 1679 01:39:40,200 --> 01:39:41,400 It was for Kay. 1680 01:39:41,600 --> 01:39:43,400 ...but it really was for you. 1681 01:39:43,400 --> 01:39:47,600 I mean, I gave it to her to have it engraved on a vanity case 1682 01:39:47,600 --> 01:39:49,400 that I bought for you. 1683 01:39:49,600 --> 01:39:51,600 It's going to be a surprise. 1684 01:39:51,800 --> 01:39:53,800 You could think of a better one that. 1685 01:39:53,800 --> 01:39:56,200 - But I'm telling you the truth! - Well, it won't do! 1686 01:39:56,400 --> 01:39:59,000 It's embarrasing standing here listening to your explanations. 1687 01:39:59,200 --> 01:40:01,800 I should've known about you and Kay all along but 1688 01:40:01,800 --> 01:40:06,000 of course the wife is always the last to know about these things. 1689 01:40:06,000 --> 01:40:08,200 Ms. Marlowe, Mr. Lane, your cue. 1690 01:40:19,000 --> 01:40:21,600 You ought to be ashamed talking about Kay like that. 1691 01:40:21,800 --> 01:40:23,800 - Kay's a fine girl. - That's right. Defend her. 1692 01:40:23,800 --> 01:40:25,200 I knew it. It's like you. 1693 01:40:25,200 --> 01:40:27,000 Don't you know they are waiting for you? 1694 01:40:27,200 --> 01:40:30,200 There she is. There she is. Now, you can be happy. 1695 01:40:30,400 --> 01:40:33,000 Go to Hollywood and stay there for all I care. 1696 01:40:33,000 --> 01:40:36,600 - What are you talking about? - You and Ernest. 1697 01:40:36,800 --> 01:40:39,800 I think she's lost her mind. She says that you and I.. 1698 01:40:39,800 --> 01:40:41,800 How can you think a thing like that? 1699 01:40:41,800 --> 01:40:44,800 That's right. Deny it. I suppose the other woman always does. 1700 01:40:44,800 --> 01:40:46,200 Let go of me. Let go. 1701 01:40:46,200 --> 01:40:49,000 I won't until you take back what you said about Kay. 1702 01:40:49,200 --> 01:40:51,600 I'll stay here all night. I'll stay here forever. 1703 01:40:51,600 --> 01:40:53,000 Alright, then I'll stay here too. 1704 01:40:53,000 --> 01:40:55,200 I won't budge until you listen to reason. 1705 01:40:55,400 --> 01:40:57,600 You two crazy? You're late for your cue! 1706 01:40:57,600 --> 01:41:00,400 - Oh, good heavens. - Oh! 1707 01:41:00,400 --> 01:41:01,800 Open the door. 1708 01:41:16,200 --> 01:41:19,600 "Stars Hollywood plans cancelled." 1709 01:41:19,600 --> 01:41:22,600 That's music to my ears. To all our ears. 1710 01:41:22,600 --> 01:41:26,000 Music to the ears? It's music to the soul. 1711 01:41:26,000 --> 01:41:28,400 My friend. 1712 01:41:28,400 --> 01:41:29,800 Muah. My friend. 1713 01:41:29,800 --> 01:41:32,800 I knew your magnificent play could not be wrong. 1714 01:41:32,800 --> 01:41:34,600 When it is, uh, produced 1715 01:41:34,600 --> 01:41:38,800 you must give me the privilege of putting up half the money. 1716 01:41:39,000 --> 01:41:41,200 Thank you. Thank you, my life-long friend. 1717 01:41:41,200 --> 01:41:44,200 Let us go and congeal our friendship in vodka. 1718 01:41:44,200 --> 01:41:45,800 Vodka! 1719 01:41:45,800 --> 01:41:49,000 Very pretty. May be I can be flower girl at the wedding. 1720 01:41:49,000 --> 01:41:51,400 Never mind. Leo's done a swell job for us. 1721 01:41:51,400 --> 01:41:54,400 They haven't spoken to each other since the show closed. 1722 01:41:54,400 --> 01:41:57,600 I still don't like it. I can't sleep worrying about them. 1723 01:41:57,600 --> 01:42:00,200 Oh, you'll feel better when the road get going. 1724 01:42:00,200 --> 01:42:03,000 Two gold mines. Where there was only one before. 1725 01:42:03,000 --> 01:42:05,200 Oh, yes. I forgot all about the understudies, yes. 1726 01:42:05,400 --> 01:42:07,800 Whatever their names are. I can never remember. 1727 01:42:07,800 --> 01:42:09,800 I can't even remember their faces. 1728 01:42:09,800 --> 01:42:14,400 Oh, hey, Ms. Crumby, would you ask Ms.. 1729 01:42:14,600 --> 01:42:16,800 Yes, Mr. Lehman, I know who you mean. 1730 01:42:16,800 --> 01:42:18,800 Will you come in, please? 1731 01:42:21,800 --> 01:42:25,000 Come in, kids and start a new life. 1732 01:42:25,200 --> 01:42:29,000 Yes, now. Miss. uh uh...Mister, uh uh.. 1733 01:42:29,000 --> 01:42:31,600 We know what you want to say, Mr. Lehman and 1734 01:42:31,800 --> 01:42:33,800 we wanna tell you that we understand. 1735 01:42:33,800 --> 01:42:35,000 Naturally with the show closed 1736 01:42:35,200 --> 01:42:37,000 there isn't anything for us to do. 1737 01:42:37,000 --> 01:42:39,600 Not that we did very much while it was open. 1738 01:42:39,600 --> 01:42:41,600 Sweet of you to take the trouble to 1739 01:42:41,800 --> 01:42:44,200 fire us yourself. Makes it much more personal. 1740 01:42:44,200 --> 01:42:47,200 Oh, but I'm not firing you. I'm hiring you. 1741 01:42:47,400 --> 01:42:51,400 You see, Gwen and Ernest, they wanna get away from it. 1742 01:42:51,400 --> 01:42:53,800 So, they're going in different directions. 1743 01:42:53,800 --> 01:42:57,200 And-and-and you're gonna play "Sweethearts" with Gwen Marlowe 1744 01:42:57,400 --> 01:43:00,400 and you're going to play "Sweethearts" with Ernest Lane. 1745 01:43:00,400 --> 01:43:04,400 Don't you understand? You're gonna have your name in lights. 1746 01:43:04,400 --> 01:43:08,200 It's going to be Gwen Marlowe in "Sweethearts" with uh 1747 01:43:08,400 --> 01:43:09,600 what's ever your name is 1748 01:43:09,800 --> 01:43:12,800 and Ernest Lane in "Sweethearts" with uh 1749 01:43:12,800 --> 01:43:15,000 what ever your name is. Ha-ha. 1750 01:43:33,200 --> 01:43:38,600 Sweethearts who live on love alone 1751 01:43:38,600 --> 01:43:44,600 We'll find 1752 01:43:44,600 --> 01:43:49,200 Our paradise somewhere 1753 01:43:49,400 --> 01:43:53,800 Leaving behind 1754 01:43:59,000 --> 01:44:00,800 Clip clop clop clip clop clop 1755 01:44:00,800 --> 01:44:04,600 That's how 'twas done while friends clitter clattered 1756 01:44:04,600 --> 01:44:09,200 These two were made one 1757 01:44:09,200 --> 01:44:15,600 For every lover must meet his fate 1758 01:44:15,600 --> 01:44:20,000 Beloved one 1759 01:44:20,200 --> 01:44:25,200 Beloved one 1760 01:44:29,000 --> 01:44:31,800 Pretty as a picture 1761 01:44:31,800 --> 01:44:34,800 Darling you're a dream 1762 01:44:34,800 --> 01:44:37,800 Who could paint a picture 1763 01:44:37,800 --> 01:44:39,800 Lovely as you seem 1764 01:44:44,400 --> 01:44:48,200 Sweethearts live on love alone 1765 01:44:48,200 --> 01:44:51,000 When we promenade up and down the avenue 1766 01:44:51,200 --> 01:44:54,400 Gentlemen will stop as we pass to have a view 1767 01:44:54,400 --> 01:44:56,000 Heads are high 1768 01:44:56,000 --> 01:44:57,800 When the band goes by 1769 01:44:58,000 --> 01:45:01,200 And we're on parade 1770 01:45:01,200 --> 01:45:03,000 Mademoiselle no parlez vous 1771 01:45:03,000 --> 01:45:04,800 Madamoiselle we thought you knew 1772 01:45:05,000 --> 01:45:08,600 Madamoiselle we know you know 1773 01:45:08,600 --> 01:45:13,400 My heart 1774 01:45:13,400 --> 01:45:16,200 Is yours 1775 01:45:52,600 --> 01:45:54,600 Yeah, I know what you mean, Falstaff. 1776 01:45:54,600 --> 01:45:58,200 I feel the same way myself. 1777 01:45:58,200 --> 01:45:59,800 Is there anything more, Mr. Lane? 1778 01:46:00,000 --> 01:46:01,000 No, thanks, Harry. That's all. 1779 01:46:01,200 --> 01:46:02,400 - Goodnight. - Goodnight, sir. 1780 01:46:02,600 --> 01:46:05,400 Oh, did you think to get a copy of Variety tonight? 1781 01:46:05,400 --> 01:46:08,000 I meant to give it to you at the theatre. 1782 01:46:08,000 --> 01:46:10,200 Thanks. I just want to see what Ms. Marlowe.. 1783 01:46:10,200 --> 01:46:12,400 What the other people in the road are doing? 1784 01:46:12,600 --> 01:46:16,000 If they are in a town like this, they're not doing anything. 1785 01:46:18,400 --> 01:46:22,000 Oh, I know, Brunhilde, it isn't much fun for me, either. 1786 01:46:22,000 --> 01:46:24,800 Oh, you got the Variety. Where did you find this? 1787 01:46:24,800 --> 01:46:27,400 I made the bellboy go and flag the mail train. 1788 01:46:27,400 --> 01:46:30,600 I don't understand. We never used to be so interested in 1789 01:46:30,800 --> 01:46:32,400 that curious paper in New York. 1790 01:46:32,400 --> 01:46:35,600 Well, I just wanted to see whether, oh, what the other 1791 01:46:35,600 --> 01:46:36,600 road companies were doing. 1792 01:46:36,600 --> 01:46:39,400 Yes, where is Ernest this week? 1793 01:46:39,400 --> 01:46:43,000 Oh, long ways from here. 1794 01:46:43,000 --> 01:46:45,400 I just happened to turn to the page. 1795 01:46:45,400 --> 01:46:49,400 I suppose someday you'll tell me why we are doing all this. 1796 01:46:49,400 --> 01:46:52,200 Told you mother, I just don't like to talk about it. 1797 01:46:52,400 --> 01:46:56,200 Oh, but I think you miss Ernest so. 1798 01:46:56,200 --> 01:47:00,600 I do myself, he's such a sweet boy. 1799 01:47:00,600 --> 01:47:02,000 Please, mother. 1800 01:47:06,000 --> 01:47:09,400 Ah-ho, there isn't a light in the whole town. 1801 01:47:09,400 --> 01:47:13,200 Isn't it astonishing how many people sleep at night. 1802 01:47:13,200 --> 01:47:17,200 - It's so unresourceful of them. - Not much like New York, is it? 1803 01:47:17,400 --> 01:47:19,800 Thought you wanted to get away from New York 1804 01:47:20,000 --> 01:47:22,200 and have some quiet evenings. 1805 01:47:22,200 --> 01:47:24,800 Did say something like that, didn't I? 1806 01:47:25,000 --> 01:47:28,600 Oh, Leos play opened last week. 1807 01:47:28,600 --> 01:47:30,200 But closed last week too. 1808 01:47:30,400 --> 01:47:33,800 That must be the play he started to read to me. 1809 01:47:33,800 --> 01:47:35,200 Well there's a review of it here. 1810 01:47:35,400 --> 01:47:37,800 I don't think it could have been very good. 1811 01:47:37,800 --> 01:47:41,200 "The only reason thisturkey ever made broadway is 1812 01:47:41,200 --> 01:47:44,000 "because Leo Kronk the author put up the shekels 1813 01:47:44,000 --> 01:47:45,600 "'for his production himself.' 1814 01:47:45,600 --> 01:47:51,400 "It dishes out scribe's nutty idea that any femme in love 1815 01:47:51,600 --> 01:47:54,400 "would believe that hubby has another girlfriend. 1816 01:47:54,400 --> 01:47:58,400 "What plot there is concerns how dopey wife is made to believe 1817 01:47:58,400 --> 01:48:00,600 that husband is carrying on affair with secretary." 1818 01:48:00,600 --> 01:48:03,000 Does sound rather implausible, doesn't it? 1819 01:48:03,000 --> 01:48:05,800 "Minor character steals love letters. 1820 01:48:05,800 --> 01:48:09,200 "Husband has written to wife and plants 'em so wife is convinced 1821 01:48:09,200 --> 01:48:11,800 "spouse has two timed her by writing 1822 01:48:11,800 --> 01:48:14,200 "identical letters to secretary. 1823 01:48:14,200 --> 01:48:18,200 "Believe it or not, wife is crazy enough to fall for this. 1824 01:48:18,200 --> 01:48:20,200 Audience is not however.." 1825 01:48:21,000 --> 01:48:22,600 What is it, dear? 1826 01:48:22,600 --> 01:48:26,800 Wife was crazy enough to fall for this tripe. 1827 01:48:26,800 --> 01:48:28,600 Oh, I see it all now, mother. 1828 01:48:28,800 --> 01:48:31,800 They stole my love letters. They wanted to separate us. 1829 01:48:32,000 --> 01:48:33,600 Oh, I must have been crazy. 1830 01:48:33,600 --> 01:48:35,200 Where's the telephone? Where's the telephone? 1831 01:48:35,200 --> 01:48:37,800 I've got to find him. I've got to tell him. 1832 01:48:40,400 --> 01:48:43,200 Hello, hello, operator. Please wake up. 1833 01:48:43,200 --> 01:48:46,400 We've got to find him. We've got to tell him. 1834 01:48:46,400 --> 01:48:48,600 Tell Ernest what an idiot I've been. 1835 01:48:48,600 --> 01:48:50,000 Hello, hello, operator. 1836 01:48:50,000 --> 01:48:52,000 But operator, I've got to talk to her. 1837 01:48:52,000 --> 01:48:54,600 I've gotta show her this. I've gotta tell her. 1838 01:48:54,600 --> 01:48:57,000 I've gotta tell her what a dope I've been. 1839 01:48:57,200 --> 01:49:00,200 Sorry, Mr. Lane, the line is busy. 1840 01:49:00,200 --> 01:49:02,000 I'm doing my best, Ms. Marlowe. 1841 01:49:02,000 --> 01:49:04,000 Well, operator, please keep trying. 1842 01:49:04,000 --> 01:49:06,200 Well, you don't know what this means to me. 1843 01:49:06,400 --> 01:49:09,000 Hello, operator. Please, hello. 1844 01:49:09,000 --> 01:49:10,800 Sorry, still busy. 1845 01:49:11,000 --> 01:49:12,400 Please, hello. 1846 01:49:13,200 --> 01:49:14,800 Hello, hello. 1847 01:49:14,800 --> 01:49:16,600 Sorry, still busy. 1848 01:49:22,400 --> 01:49:26,800 Oh, well, never mind, dear. They'll call you in a minute. 1849 01:49:30,600 --> 01:49:32,200 Hello. 1850 01:49:32,200 --> 01:49:35,600 Oh, sweetheart. 1851 01:49:35,800 --> 01:49:38,800 Oh, sweetheart. 1852 01:49:39,000 --> 01:49:40,000 Hello. 1853 01:49:46,600 --> 01:49:49,800 - Bring the bags in too. - That will show him. 1854 01:49:52,000 --> 01:49:55,800 - Oh, my kiddies. - Don't my kiddies us. 1855 01:49:56,000 --> 01:49:59,200 - We know what you did now. - You ought to be ashamed. 1856 01:49:59,200 --> 01:50:02,000 We've come to tell you what we think about you. 1857 01:50:02,000 --> 01:50:03,400 We found about the whole trick. 1858 01:50:03,400 --> 01:50:05,400 Yes, well, I know.. 1859 01:50:05,400 --> 01:50:06,600 Never mind blaming Leo. 1860 01:50:06,800 --> 01:50:09,200 He did it because you were back of him. 1861 01:50:09,200 --> 01:50:12,200 I was in the beginning, then I backed out. 1862 01:50:12,400 --> 01:50:13,800 They wouldn't let me tell you. 1863 01:50:13,800 --> 01:50:15,800 I wanted to stop you from going away. 1864 01:50:15,800 --> 01:50:17,200 Keep you from going to Hollywood. 1865 01:50:17,400 --> 01:50:18,800 You've done a fine job. 1866 01:50:18,800 --> 01:50:20,400 Tell him what we're gonna do. 1867 01:50:20,400 --> 01:50:22,800 - We're going to Hollywood. - Yes, just to show you. 1868 01:50:22,800 --> 01:50:24,400 We didn't even bother to unpack. 1869 01:50:24,400 --> 01:50:28,200 We aren't even waiting for a train. We are gonna fly out. 1870 01:50:28,200 --> 01:50:29,400 - Leaving today. - Right now. 1871 01:50:29,600 --> 01:50:31,200 Yes, that will show you. 1872 01:50:31,200 --> 01:50:32,600 C'mon, darling. 1873 01:50:38,600 --> 01:50:39,800 Now, what's the matter? 1874 01:50:39,800 --> 01:50:41,800 Oh, it's-it's.. 1875 01:50:41,800 --> 01:50:46,000 Now, you don't mind me. I guess you're right. 1876 01:50:46,200 --> 01:50:48,400 You know, what it's like away from New York. 1877 01:50:48,600 --> 01:50:53,000 You've-you've seen life away from New York and if you.. 1878 01:50:53,200 --> 01:50:54,600 ...like being away from New York 1879 01:50:54,600 --> 01:51:00,600 you're perfectly right to stay away from New York. 1880 01:51:00,600 --> 01:51:07,200 Sometimes I think I'd like to go away from New York myself. 1881 01:51:07,200 --> 01:51:10,200 Get away from it all. 1882 01:51:10,200 --> 01:51:14,400 It's brought me nothing but heartbreaks. 1883 01:51:14,400 --> 01:51:17,800 Oh, well, I'm an old man now. 1884 01:51:17,800 --> 01:51:23,000 It isn't...I haven't got much time left. 1885 01:51:23,200 --> 01:51:27,800 And I guess I better spend what time I have left right here. 1886 01:51:27,800 --> 01:51:31,000 Carrying on alone. 1887 01:51:31,200 --> 01:51:34,400 I had hoped that in my old age 1888 01:51:34,400 --> 01:51:40,200 I'd see "Sweethearts" running another six years 1889 01:51:40,200 --> 01:51:41,600 and it could too, you know 1890 01:51:41,600 --> 01:51:44,800 if you two kiddies had just.. 1891 01:51:44,800 --> 01:51:49,400 But you don't belong here and if you don't belong here 1892 01:51:49,600 --> 01:51:51,800 you just don't belong here. 1893 01:51:51,800 --> 01:51:54,600 What do you mean we don't belong here? 1894 01:51:54,600 --> 01:51:56,400 We couldn't breathe any air but here. 1895 01:51:56,400 --> 01:51:58,400 You think you could ship us to Hollywood.. 1896 01:51:58,400 --> 01:52:00,800 - I put my foot down. - I put mine too. 1897 01:52:00,800 --> 01:52:04,200 - Saying we don't belong here. - We belong here as much as you. 1898 01:52:04,200 --> 01:52:05,800 We belong wherever you belong. 1899 01:52:05,800 --> 01:52:08,400 Oh, Felix. 1900 01:52:08,400 --> 01:52:11,600 Oh, you awful old crook, you. 1901 01:52:14,000 --> 01:52:16,000 Oh, my kiddies. 1902 01:52:16,000 --> 01:52:17,200 Welcome home. 1903 01:52:17,200 --> 01:52:19,800 Oh, it's fun being back, isn't it? 1904 01:52:20,000 --> 01:52:21,000 Oh, it's swell. 1905 01:52:21,000 --> 01:52:23,600 No, you don't. 1906 01:52:23,800 --> 01:52:27,600 - Kay. - Hey, hello, darling. 1907 01:52:27,600 --> 01:52:29,800 Now, we're all back home. 1908 01:52:29,800 --> 01:52:32,600 This is a glorious day in the history of "Sweethearts." 1909 01:52:32,800 --> 01:52:35,600 - Oh, look what I found. - No you don't. 1910 01:52:35,800 --> 01:52:38,600 Look at you two. Eating candy and smoking. 1911 01:52:38,600 --> 01:52:41,000 You'll be in great shape for that opening night. 1912 01:52:41,000 --> 01:52:45,400 Sweethearts today will never fade 1913 01:52:45,600 --> 01:52:51,600 Like an eternal sereade 1914 01:52:51,800 --> 01:52:57,400 Our love will end 1915 01:52:57,400 --> 01:52:59,200 Whereve you wandered 1916 01:52:59,400 --> 01:53:03,400 We welcome you back home 1917 01:53:03,400 --> 01:53:07,600 We'll always be the Sweethearts 1918 01:53:07,600 --> 01:53:13,800 So claim us for your own 1919 01:53:17,800 --> 01:53:24,600 Our love will end the way the starts 1920 01:53:24,800 --> 01:53:31,200 Forever we'll be forever we'll be 1921 01:53:33,000 --> 01:53:39,200 Sweethearts